“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
埃菲尔铁塔的制造过程，原来真的因为建造者叫埃菲尔所以就叫埃菲尔了，现在法国的象征在当年居然法国佬非常看不上，觉得丑绝了。但看完依然不知道是用来干嘛的，里面加的男女主的感情线有一点假，女主在丑和还行之间反复横跳
真的 如果不是看了严重剧透的长评 这个剧乱七八糟的叙事风格真是把好好一个电影整的稀碎 能看出来导演想前后穿插叙事 最后揭开谜底 只是处理剧情的能力实在有限。多给一星 完全是给特殊失踪专案组的金先生
结局就那样嘛，看一群鬼在那里以为自己是人的角色扮演
很古典的法兰西范，日落之下塞纳河旁边的铁塔平台上，男女主迎着夕阳 ，落日余晖中她们深情相拥 影片对当时的巴黎场景描述不错，并且获得最佳布景、最佳服装的提名 影片讲了建造铁塔的故事，以宇母“A”形状，金属编织的蕾丝，坚固而美观，高耸入云的巨塔，设计独特，建造时遭遇罢工，停资，舆论诋毁。最终埃弗尔站在荣誉的领奖台上。当然还有法国浪漫爱情故事，两段不同时期爱情的穿插剪辑 晚到20年的重逢 旧情再次被点燃 即便是谨慎的相遇 但是 爱依然还在 像无法控制的烈火又一次肆意的被点燃 最终还是为爱放手，日落夕阳的塞纳河旁边 辉煌的埃弗尔铁塔落成典礼上，人群中的女主和舞台上的埃弗尔他们满含泪水 各自安好 ……
只想看设计建造铁塔，那些原理和想法好厉害，多拍拍这个过程多好，不想看什么个人感情，好想去巴黎啊。
好烂 多重时空设定的功力都不及尸体派对的十分之一
不好说，我以为妈妈会回来救他。原来是他以为自己还活着，实则早已被困在时空里。
法国人，你老老实实地拍Eiffel怎么攻克难关修塔，比你加这么多感情戏要好得多，白浪费这么好的题材了
豆瓣分數過低，多加1星，沒想到當年遊巴黎最無聊的景點，背後有這一段感人故事。結合理性科技工藝+感性主角自己的愛情與堅持，不懂大家批評愛情戲多餘是什麼意思？A的是他的謬思，他的生命動力來源
我看不是金康宇疯了 是我疯了……打开的时候以为是金康宇另一部电影 结果看快三分之二才慢慢反应过来 啊 这就是个纯鬼片 梗都不新鲜 有种两个月亮升级版的感觉 但是因为给时间空间技能升级了所以整得乱七八糟 真是乱七八糟 而且奇妙的是 本片明明几乎集结了所有我害怕的鬼片元素 但还是不吓人……盯着大鬼脸恍惚间以为我克服了黑眼鬼恐惧症。金康宇 咱整点好的 我心心念念的M还会出吗
一个好的工程项目应该是有用的平等的和持久的。
结局就那样嘛，看一群鬼在那里以为自己是人的角色扮演
开头有点无聊，中间开始有点意思了，但总体还是属于拼接体，没什么惊喜，结尾还可以
剧情没细看，不过整体下来是鬼片的味道
當女主角嫁給別的男人 而不是跑去找愛人 還背著偷情 這段戀情就令人反感
剪辑时间线真的乱的糟糕，虽然不知所云，但恐怖氛围做的蛮到位，有被吓到
气氛烘托还行吧 但总有雷声大雨点儿小的感觉.. 最后还特意看了一遍解说视频 确认自己理解的对不对 以为会烘托得更多 但写到后面好像笔没水儿了 该烧脑的也没烧起来 好像导演拍不到点儿上是的… 整体效果给的还可以
设定很好。可惜循环与不同时间角色的联动太乱，角色个性实在不突出…
算有几个恐怖镜头吧，但情节有点无语，我以为男主有什么大招呢，就是拿了个小刀到处刺鬼？ 战斗力也不是很行，就发现boss双重人格，就没了
看过版代推来的小说信息，对故事还有点兴趣，但这个故事，或者说电影吧，嗯，还是太水了。
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