Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
你们纯爱了不起啊？恩...可能，确实...
希望作者能考虑一下把乙骨悠太的设定改成福冈人，仙台人感觉土土的不符合帅哥的气质。也不知道纯爱这句台词谁想出来的，就算是也不能说出来呀。//原来是原作者想出来的。respect，纯爱战士 怪害臊的。
很好的动画化了漫画的原剧情，但不能算是一部好电影。
《人鬼情未了：纯爱的力量》 还有5t5摘下眼罩以后帅哥你谁我已经说累了
感觉人物画风有点崩，乙骨性格和我想的不太一样，五条和夏油羁绊倒是很明显
九敏 打斗戏太帅了😭😭😭七海呜呜呜我要嫁我要嫁我要嫁呜呜呜 但是五条老师和反派的剧情太像Grindelwd和邓布利多了。男主的友情线太仓促了。男主最后把自己交给里香可太中二了hhh。还有男主最后的高贵血统，不太喜欢这个设定
乙骨：真是失礼，我们可是纯爱 夏油杰：那我就是大义
三星吧
二刺螈烫番真的不行，世上怎会有口口几这么乏味的东西，随便几个人设嵌进去，他就是纯爱战神啦，他俩就有了爱情，突然咱们必须来一场混乱的光污染打斗，打完顺便莫名其妙表个白，嗯，口口几姐表示非常满意，继续上升声优整天发没完没了的癫
太太太太太好看了，但凡能在电影院看我能10刷55555，夏油——夏油可别把我帅死。各种名场面最喜欢的还是“夏油的咒术残余我不会弄错”“最后倒是说点诅咒人的话”“我唯一的挚友”，五条悟你好爱他，已婚已婚！！嗑拉了
整体感觉有点短，打戏部分有点少想多看看五条悟和七海的打斗场面，夏油杰和五条悟之间的感情也很好体现出来了，立场不同但默契依旧。整体看下来不错的
我哭的稀里哗啦。电影放完了还在哭。高中着实在代入小孩们，现在看着夏油死掉一整个对高中最后的日子惋惜住了。
就不能分上下部吗？百鬼夜行居然只占这么点篇幅，夏油杰一下就被ko了我不信，五条是不是跟夏油表白了…这是部高中生纯爱片。
好帅好爽好甜！！！打斗场景看的我超过瘾了！！！忧太的告白太浪漫了💕真不错
唯心主义世界观下，咒术高专对己方成员（夏油杰）没做好思想教育和心理疏导工作，其投敌后导致咒术高专损失惨重。
真的太喜欢了！很还原，打斗也看得好爽～乙骨真的能把人帅死，拉着没看过漫画的对象一起看的，之前一直在念叨想看东堂，乙骨觉醒以后他一直在夸，笑死我了hhhh还有“我们就是纯爱”，莫名应景520了（真的是恰好今天想看
爱情是一种扭曲的视角，放弃主从（支配），放弃惩罚（怨恨），就能狗超越他吗？还是说这种扭曲本身就是爱的能量呢？
10th film w her at sunrise
五条悟这个天花板设得太高了，搞得完全不想看其他人🤦♂️
大夸特夸战斗画面和音乐的配合，好爱我太爱了。我好怕纯爱战神觉醒以后空中一个巨大粉色爱心蘑菇云，还好还好
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