"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
悬念保持到了最后，反杀结局比偷窥者那部来得合理，中间部分过于冗长且枯燥
挺好看，女主好看，喜欢她的每一套衣服，该把她老公一起嘣了
故事很套路化，不过拍摄得细腻真实，作为男生我认为应该多听听女孩子的看法，保护她们从我做起
很精致的一部惊悚片，但应该女性更能理解这其中的惊悚元素吧…
把女性特有的“一惊一乍”悬惊感拍出来了，就很好。然后，死活想不起来男反在“权游”里演的是谁了……
又是很现实的女性主义恐怖片 带来孤独与恐惧感的从来都不止是行凶者 还有不理解的社会环境和不相信的亲近之人 剧情伏笔设置都挺规矩 最后女主开枪之后望向男主的眼神 是代表着无数受害者对这个男权社会的质问吧
非常中规中矩。我觉得应该谢谢契诃夫——第一幕出现了手枪意味着………
略微多冗长了些 看不下去的即视感扑面而来 类型化严重
最后的反杀看得我一愣一愣的，这个设定让人一头雾水
前面好长好臭，一直在让你猜女主是不是在幻想，结果最后10几分钟才来告诉你。
吓得腿软。狗男人要你有什么用，帮不上一点儿忙还没有同理心。
正经3分片 不多不少 刚好3分 想起留学的时候 卧室也没窗户 但老子当天就去搞了个窗帘 你说气不气😊
女性导演拍的片子的确在情感刻画上更细腻一些，片中几处恐怖氛围营造的还是很好，如果我来重新设计海报，窗户、地铁、俱乐部三个场景拼成一个大的第三者观察的图
较为沉闷，最后女主竟然没死并反杀，还是比较爽的。是不是有点罗马尼亚。
表现得很细腻，就是缺少一点反转，地铁上那个女主怀疑装着人头的塑料袋算是妙手，把惊悚提高了一级
前面都很好，最后BE也可以啊，为什么要诈尸？不能理解，一头问号
关注女性安全问题。结尾做了几处反转还是很有可看性的，氛围感做得好。
本来以为是偷窥题材，结果不是有点失望，而且没啥亮点，不看也罢
过程看的是压抑和恐惧，结局瞬间出戏，如果没有主角光环留了一地血还能站起来复仇就可以四星了。
氛围感很不错。近年比较流行这种窥探类电影。
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