"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
外滩18号，两个大相径庭的女宁面面相觑，恭候这个自以为老懂女宁额上海囡宁多时——用轻松幽默、四两拨千斤的调性论述两性关系的争议主题，颇有看点。缺点是插曲多，有滴乌苏。
还是那个配方，还是那个味道！充满暖意！
怎么不留着攒下一季呢。《唤石》篇，小妖怪三美负责叫醒沉睡的妖怪，为了达成恩人对自己的期望而努力。《可疑的访客》篇田沼被附身，三筱的朋友和他的回忆和比赛，高山流水惺惺相惜。三筱对夏目说，“和你这样娇小的人类一同赏月的时光，也会有一天变得令人怀念吗？一定是转瞬即逝的吧。”
两个短片，算不上剧场版。夏目好像也只剩下情怀了。
シネマフロンティア。被感动的点还是“约定”。
@2021-06-08 23:40:37 @2022-06-03 23:13:11
依旧是温暖的故事 夏目变得厉害了呢 一拳ko娘口三三
我觉得很感人的就是夏目想和猫咪老师一起走地道，还有田沼对三筱的感情。三筱人形好高啊555
Run! you clever boy, and remember……（啊不好意思跑错片场了
第二个故事比较治愈。马面妖居然还有那么温柔感性的一面。
2022.05.01 2.5
比缘结空蝉的节奏要好很多，熟悉的感觉，两集的优质融合。
我淦，三筱对夏目说今夜月色正美，这太好磕了吧
神秘访客值得。换石太水了。夏目的剧本品控加油。
希望夏目在10后心中的分量，就像当年灌篮高手在我们心中的分量。
虽心有所觉，但亦作不解。像以往一样，平平淡淡的《夏目》却最动人，今后也请继续温柔下去~
高光时刻还是有，就是看多了已经，不那么容易感动了。
中下水平吧，单独拎出来的感觉并不出众，淡如水的汤，能闻着少许鸡味。也就这样
やはりこういう淡い悲しみに包まれた夏目が一番いい。
看之前以为无非是个爱情类型片，结果处处都是反套路、反常规的小妙笔，有人说像海派伍迪·艾伦，能感觉到导演一定是个很会生活、脑子很灵的年轻姑娘（之前她就靠写文章红出圈过），就是传说中那种万里挑一的有趣灵魂。接触过导演本人后，更会被她的可爱脱俗打动。这是一部纯沪语电影，上海浓度极高，把魔都的精致、文艺、烟火气、多元文化包容力，以及上海人的精明、世故、温软、飒爽拍得很生动，看完片很想马上飞去上海钻进小巷咖啡馆里度过一个悠闲的下午。难得的是，这部电影小资却不拜金，文艺而不矫情，致敬大师但不装逼，有对消费主义热潮的反思精神，也有非常现代独立的女性视角，方方面面都很合我的口味。三位女演员都美丽动人，徐峥的形象耳目一新，宁理老师戏份不多但超有魅力！看这群人聊天，会让人觉得中年人的世界也是可以很美好的。
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