剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 鲁丁兰 9小时前 :

    上世纪七十年代复古风搭配中国元素非常讨喜,配音卡司也很豪华,小黄人一贯的可爱。看的第二部阿拉伯字幕电影,相比蝙蝠侠可以听得懂英文对白。

  • 祁润曦 5小时前 :

    十二生肖之萌宠 vs 猛兽🤭一开始以为是盗墓笔记,后面发现是唐人街探案😆小Gru好可爱!

  • 殷祺福 8小时前 :

    感觉此片是美国影视大厂日益重视中国市场的标志性见证作(?),尤其是开头的中文歌,发音太正常、旋律太没问题了,以至于我被惊到 / 绑钟上,这个死法不错 / 结束之后,我认真思索了一会儿,找出两个优点:1 小黄人真可爱 2 spring festival parade in chinatown着实做得是流光溢彩,令人目不暇接 / 老板:“看之前我已经降低期待了,没想到它烂成了这个样子,降再低都没用……” / 虽然稍稍解了解我进电影院的瘾,但还是多少又点儿心疼我那12刀。

  • 焦新立 5小时前 :

    6.5 - 可愛的、搞笑的、輕鬆歡快的無腦動畫片。Bob快來媽咪懷裡!

  • 融凯复 4小时前 :

    還是可愛和好笑的 但情節真的有點無聊🥱 教功夫的太像美美的阿姨們

  • 爱令锋 9小时前 :

    虽然get不到笑点,但不否认蛮可爱的,中国元素使用与表述都比尚气强很多

  • 芃辰 8小时前 :

    要啥剧情啊 有bob就够了 呜呜呜呜天下第一萌 新来的奥托也比不了

  • 郁运 4小时前 :

    CGR的小黄人马拉松活动,冒着暴雨看到了超前点映的《小黄人2》。作为香蕉之歌倒背如流的本系列粉丝来说,电影本身令我失望,盲猜豆瓣评分6开头。就算只为可爱制作续集,电影架构中的清粥和小菜还是难颠倒,这一部,反而作为小菜的格鲁更可爱些。几年前无论如何也想不到续集会是中国主题的,不过意料之中把元素用得非常肤浅无聊。以及体会到了《救猫咪》中为什么说不要出现两个反派——不是不要出现,而是真的容易把节奏把控烂。

  • 鹿骊美 2小时前 :

    没啥意思,就是来看看小黄人。有的地方挺有乐的。终于知道了小黄人的英语是minions,以及大多数小黄人语竟然是built based on西语

  • 通新梅 9小时前 :

    笑死哈哈哈哈哈哈哈真的超有梗 Bob可愛死了😚😚

  • 荆凝蕊 6小时前 :

    小黄人一直都在我的笑点,看了前面让我仿佛是看了部看过的,有些情节是看过的,但看到后面又不行,不功不过,最后也是串联起以前的人物,彩蛋是炫酷了。

  • 桃萱 4小时前 :

    看完笑完啥都不记得了……从某种意义上也算是成功的一种?

  • 谯浩气 0小时前 :

    我竟然觉得比青春变形记的中国元素要好...因为是小黄人 所以可以无厘头地顺理成章

  • 福腾 5小时前 :

    小盆友 和老爷爷从粉丝最后变成爷孙舔犊情深 温情暖心

  • 魏浩初 9小时前 :

    电影院几乎坐满了,全是teens,最后片子结束大家还起立鼓掌了。我和朋友互相看了一眼:我们老了。

  • 穆乐咏 5小时前 :

    笑死了!小鸡minions多可爱啊!小胖子minion追车笑死了. 浓浓的中国元素,旧金山元素,太真实啦,走路走到累哈哈哈 12生肖打架哈哈哈 GEM的片头曲太有印度风哈哈哈

  • 纪奇希 1小时前 :

    Minion传充分展现他们的搞怪机灵和不同的性格,心悦臣服让观众发笑. 完全不觉得有黑化和侮辱传统,本来就是被villains们利用了生肖石,不就是印证了力量落入谁手中,善恶结果还是要看谁来操作吗…太反应被❌的现实了

  • 骆高达 7小时前 :

    minion版you can't always get what you want好评!

  • 督致萱 6小时前 :

    其实只能给三星.. 为了情怀加一星吧。比起上集真的差太多了。

  • 祁增山 6小时前 :

    笑点密集,笑料不断,笑到痴癫。摒弃了讲大人故事的假成熟和政治正确的内容,回归童趣的小黄人是几年难有的搞笑动画佳作。喜欢前作的不容错过。

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