Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
改编的剧情好多了，作为初主演kento的完成度相当高，长得也太好看了
八木好好看(♥∀♥)，
爱而不得，转瞬即逝，美丽而早逝，枯萎又错过
長尾謙杜真的好好看好好看越长越好看😭19岁演成这样真的不容易…
除了拍摄唯美的场景，其他全是吐槽，又俗又老的剧情，无聊透顶
有喜剧，有泪点，有悬疑，有反转再反转。也有让我屏住呼吸不忍往下看的片段。
摔杯子那里太酷了，孙子抱着奶奶跳舞那里浪漫温馨得落泪。看着日出死去，是经历过战争的人最后一丝倔强。
同樣是生離死別的老梗，同樣的花俏手法，但拍得還是比台灣和韓國的一些社會濫情片好很多，完全勝出一個檔次。
祖孙情类型的电影总是走另类长辈+治愈+矫正行为路线，Rampling的表演是唯一看点
因为又是被霸凌，总感觉有点若林的影子，当然换核心了，所以肢体上更多的是长尾谦杜。
题材有意思，想看// 不管拥有多么传奇的一生，多数人临终前都不想孤身一人。蓝屏的魅力有撑起和贯穿整部影片，换个演员来，这部都将缺乏说服力，很喜欢
期间不知道电影在说什么，老公去看公众号文章，我去搜剧透了
意想不到的还蛮好看的哦 我还以为日本没有好看的电影了呢（
珍惜眼前人，好好活下去
因为又是被霸凌，总感觉有点若林的影子，当然换核心了，所以肢体上更多的是长尾谦杜。
长尾弟弟演技挺有代入感的，多演演。
提前场 in Wellington
职业: 导演 / 编剧 / 演员 / 配音
想要重新debut但肢体是原装没法翻新，突然有了共鸣😂
如果是粉丝可以快进冲一冲，其余真的有点浪费时间
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