Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
这也太无聊了，这群神经病竟然变得正常了起来，不过最后克系的叔叔挽回一星
这个翻拍确实太差劲了，看黄政民都快看不下去了。
“这辈子就算了啊，下辈子我再孝顺您啊”
很符合资本价值观！
6分有点过分了，应该值7分。韩国警察的无能导致了黄政民最后的独角戏，讽刺啊。
全程开挂，顺利的不行啊……但这片子表现的三观实在惊人的无下限……
把人物画得不那么哥特就完全是一部很正常的动画片了。
完全就是偷窃来取得钱，这样也可以逃脱诶，漂亮国的法律我不懂。
不如刘华版，而且内讧理由比较牵强，动作场面比较刻意，警察依然是重点被黑对象，而且绑架黄政民太扯蛋，绑匪女友身材不错，私心给多一星...
哈哈哈，也还行吧，毕竟姐姐一直这么酷这么聪明。不够朋克是真的，电影。
挺有意思的一件事。我对邮政调查员Simon肃然起敬
收银员小哥笑死我了，个人今年最佳喜剧表演。
星期三知道她被关在林中小屋之后抗争了那么久，最后被改成了迪士尼类型动画吗？
真实事件改编。话说美国的刑法有时候真轻啊！
虽然电影中对我国不太友善，部分情节也过于浮夸（车内上大号的Ken，100年前的信件故事，停车道跳舞的JoJo。。。），但对于人生的反抗和人性的适从还是很有看头的，尤其是最后40年的审判化为11月的戏剧化转变：
这部暗黑哥特风格、略带恐怖属性的喜剧动画终于迎来续集。姐姐永远面无血色，永远一副性冷淡的样子。所有主人公的形象都跟美型无关。相反，毒舌却一直存在。就是这样充满相爱相杀，而关键时刻又无比团建温暖的一家人。确实带给人与众不同的观影感受。就像日常生活里我们也会遇见比较“怪胎”的一家人。
Wednesday: I’ve been social distancing since birth.
故事很有意思 女主的脸好老 颜值这块完全被黑妹拯救 而且这个中国梗嘛... 倒很符合底层人民的想象 有事儿基本都是外部势力哈哈
漏洞总是留给有准备的人，总体中规中矩吧！顺道来一波女性觉醒。
15年了，从《杀人回忆》开始到现在韩国人还是不相信警察，全靠绑匪内讧黑吃黑和人质自己的力量自救逃生😂公权力的丧失真是一朝失去数十年难追回啊😂看完剧情之后也没啥兴趣补《解救吾先生》了
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