Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情无新意，旧瓶装旧酒，全钟瑞演技自然，孙锡久眼神有戏。
搞笑动作片，该有的元素都有了，各种设定非常成熟，武打动作也设计得挺好，各种热闹，很有成龙早期影片的感觉，当然情节就没啥可说的了，就是一个热闹。
标准的双男主动作喜剧，一个啥也不是，一个冷酷无情，最后俩人互相成长，欢喜大结局
笑点一般，剧情也一般，如果像当初杰森斯坦森说的拍成r级片一定会好很多，不过拳馆的伪长镜头拍的真的很爽
描写菜鸟和职业杀手化学反应的电影有一些，这部在其中可以说是非常差了。
这个阶段太需要有部欢乐的电影扛大旗了哈哈哈哈哈哈
挺欢乐，蠢萌感十足，不过黑小伙误会成杀手这桥段有些似曾相识。伍迪-哈里森有股子冷幽默风，不苟言笑能获得喜剧效果。黑人小伙还是那么夸张，各种状态都出格，大惊小怪，不过似乎好莱坞都是这套。多少也是米国的开心麻花，看个嗨劲就行了。
纯粹就是为了在飞机上打发时间看的。。热热闹闹还有点好笑
电影里说得挺对的，色而不淫才最能调动观众的感官。看了开头就忍不住打了一炮
挺好，动作喜剧爽片。两位主演表现的不错，如果是斯坦森估计是另一种感觉。打戏很爽，尤其是拳馆大决战。最后两位互相救赎，成了朋友，大团圆结局，娱乐性十足。
《尖峰时刻》式的动作+逗比的动作喜剧。两个角色的反差和演员的表演很欢乐，轻松搞笑，但又不精巧的动作设计。尤其最后的长镜头动作戏，虽然是《1917》式的伪长镜头，但还是有很强的连贯感，让人耳目一新。故事很轻很扯，但作为动作喜剧远超及格水平。
全钟瑞，她好迷人好有魅力，灵动又性感。和孙锡久气场很合。很轻松的电影
我的解放日志火了，这部满满的橘子精看到够不火吗
话痨屌丝和高冷杀手并肩做任务的爆米花套路电影
就想看看山p退出j家到底去演了个啥电影…结果镜头加起来时长还没有他ig发的拍摄时候的各种视频长😅剧情真的无力吐槽，节奏也很奇怪，要不是一直没看到山p出场真的可能就看不完了
边健身边看，除了哈特大呼小叫，什么都不记得
从冷兵器到热武器 竟然毫无准头可言🌝
剧情是真套路，不过几段动作戏还是很好看的，尤其是最后一段……整体就是轻轻松松啦
还没有烂透的梗堆在一起 有一种诱人有难闻的味道
搞半天这就是山p的勇闯好莱坞 总共有没有三分钟🆘 通稿我看过n篇了 和kevin hart的对手戏 救命 继续努力哈
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