"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
「我們心中有火焰，卻如玫瑰般綻放，我們滿足男人的慾望，來守護女人的純潔」
硝烟里的人们 都想要回家
不是套拍，是本来就是一部，只不过碍于长度拆成了《长津湖》和《水门桥》，这样的宣发很高明，不会让人从心理上觉得这是一部电影的上下部，有更大的吸引力走进影院看“新电影《水门桥》，只要片子质量过硬，这个操作没任何问题。最后多插一句，易烊千玺是不是抓住了于冬的把柄？
用一人的美化故事掩饰一个血淋淋的产业，桑杰不愧是印度第一主旋律大导。
印度的大女主片也是如此憋屈，泥潭里挣扎，找不到出路。很多人拿《甘古拜》跟《姊姊妹妹站起来》比，但其实根本没法比较，后者有自上而下的政府决心，而前者只是红灯区的底层自救，不管是眼界还是国情，都没办法要求太多了。
故事是好故事，但细节只能证明印度导演还不够缜密。因此拍出来的成果就会让人觉得差了点什么。
「我們心中有火焰，卻如玫瑰般綻放，我們滿足男人的慾望，來守護女人的純潔」
因为红灯区的存在，彩色才会更纯洁
22.05.30 3.5
女主的诉求也很简单，没有人生下来就想做妓女，她们也是人，应该得到应有的尊重。更何况是他们的孩子，他们连接受教育的权利都没有。
女主的声音真的很有魅力！
1. 女主的很多次成长向上，本质还是依靠男人
2.被迫接客受到虐待的女主找黑老大为她出头，黑老大就这么答应她而不付一丝代价？
勇气总是伴随着牺牲
只想说迄今看过的每一部印度电影都带给人强烈的冲击，不是视觉的，而是震撼人灵的。
豆瓣某些人平权时像从2222年来的，观影时像从1622年来的，衷心希望这些人穿越回1622年时能大谈2222年的平权。
我是妓女，甘古拜。
五星给原型、给女主角的美，能拍摄这类电影和这样拍电影的国家和民族有未来。
咱就是说也太惨烈了吧，最后就剩伍万里一个人，牺牲了那么多人的生命炸桥，美军一个钢板就能解决过桥问题，心疼牺牲的战士们。
为什么不把她们送回家
Copyright © 2015-2023 All Rights Reserved
