Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
女主光环强大的过份了吧,哪这么巧上面就有个帐篷,帐篷还是好的,三个反派跟个智障样的,这是在忽悠谁啊醉了
让坎妹当挽救希腊的英雄,再加上一些打斗场面,至少可达三星。
这水平5.8差不多。这个故事即使拍得再好,估计也不会很高。
套路刻意的剧情 生硬尴尬的演技 拙劣粗糙的模仿 仓促突兀的推进 矫揉造作的文艺 诗情画意的场景 清新明媚的色调 悠扬婉转的旋律 缠绵悱恻的诗歌 前所未有的突破
疫情之下,题材很好,预算有限下的,女主全片还是很吸引人,悬崖峭壁上的极限逃生,题材肯定 4星
有卢卡的制作班底,不管多肤浅的剧本都能拍出些迷人的气氛。从开头男女主角的关系可以看出导演有拍爱情片杰作的巨大潜力。坎妹太美,大卫体力真好。
攀岩极限+女性打怪题材,全程无尿点。坏人越来越黑化有点吃惊
不像《以名》,倒是更像网飞大数据热门元素汇集的有针对性的电影,导演审美还是在的,男主几个镜头都难得的男性柔美,不是一味强调男子气质
不得不说女主的颜值,还是很耐看的,身材也不错,在主角光环的作用下,战斗力也是爆表的。
"Use your mind, not your muscles."
😨😨看了一会实在忍受不了咖喱味英语了,,还不如说印度语
这个运动一步错,不会步步错,只会直接挂,四个哥们也架不住女主光环,只能祭了
以为是唯美向,没想到是气人向。不过将女性命运与选择处理地很好,也算是本片价值之一了。
打开app 发现海报挺好看 点开发现竟然是印度拍的男男电影 感觉就很妙
“为什么一切必须是永远的,一段关系要维持多久,才能让人觉得是美好的”,姐姐的这段话我超喜欢,也许戛然而止最让人难忘
千万不要跟情人规划未来~~他们的未来里没有你~~
紧张刺激,电影告诉我们:坏男人比毒蛇猛兽更可怕
特别古典的希区柯克式的悬疑电影,包括前半部的运镜都挺有希式电影的风格。背景的各方政治角力,每一方都不过是利益集团的代表,寓意了当前的西方世界,。只有男主抱着那点仅存的正义感与赎罪心,踉踉跄跄地独自走在暴徒和警察对峙的骚乱中,很有意思。
很一般,特效跟不上所以只能硬剪。自己爬半天,人家溜溜达达跑她头顶去了,山是水泥山,哈哈哈
太多文学电影元素揉在反而整得整部电影有点四不像了,过度小布尔乔亚不是什么好事。
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