This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
看哭不是因为有多好，是因为我本身泪点极低。
一部内容与片名无关的了无新意的流水线式科幻电影
3、这一家子姓Reed，死侍他爸爸是浩克、妈妈是艾丽卡、对象是卡魔拉，连结尾放球的储物箱的盖子都是贴着漫威角色的贴纸，假如女反派给演阿加莎的那位来演，岂不更漫威式正确？
PG-13、喜剧、冒险，这些分类还不能够说明影片类型吗，吹毛求疵剧情深度、扣时空逻辑细节又是何苦呢。从分类属性来看，喜剧元素是真的我可以笑出声的那种，小孩子演得真挺好；科幻元素特效很及格，而时空穿越题材的影片非常多了，除非是悖论，也不是什么大bug；另外还渲染了一下亲情纠葛，说真的妈妈跟未来的儿子对话那段有被感动到。当然了，除非你压根不喜欢瑞安这个人，否则我觉得值得一看。
变脸梗+星战，没想到凯瑟琳·基纳也有机会搞张CG减龄脸。
除非你今天周末下午在家真不知道看什么了，又不想动脑子，又想边玩手机边看个电影，
除了Ryan Reynolds 的死侍传统人设表演之外毫无亮点，有人和我一样特别想打那小孩么？
陪崽子看的影视剧4，第一次一口气看完一部电影。
第3466-还是绿皮肤的卡魔拉顺眼，第一印象太重要。
it's literally piles of shits
良心之作，能排家长和小孩心目中top3地位，有趣的动画，电影肯定也不错
无功无过的标准流水线科幻片。小贱贱自己耍贱还不够，又搞了个迷你贱～
一点都不严谨。但喜剧效果还是不错的。
谁不想与父母重逢，拥抱爸妈------为这个多加一星
詹妮弗加纳!!!!!!我的女神!!!!!!
Ryan Reynolds也就这样了，流水线量产的电影可不值得我认真观看。
陪女儿看的。她太小了可能还看不懂里面的一些细微末节。我觉得真的是一部好电影，很感人，几次看的我眼圈都红了。
“我知道你想用自己粘乎乎的臭小子手指把这些漂亮的按钮摸个遍，但反应器有量子签名……”
Walker Scobell是整部電影最大且唯一亮點，可愛、靈動、真摯，剩下的，是老調重彈，是廢話連篇，是乏味冗長。Ryan Reynolds依然在自我重複，然而小賤賤那一套這一次卻異常讓人出戲，那些沒完沒了又不好笑的笑話顯得那麼不合時宜。好萊塢動作片在失去香港武指之後，打戲越來越水了，完全沒法和當初有袁八爺、林迪安時的打戲相比。
看了一个小时，女猪脚不好看。反正失去了兴趣，以前我很喜欢这一类电影，不知道为什么、
Copyright © 2015-2023 All Rights Reserved
