Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
群魔乱舞的群像电影 剧情竟然还蛮有意思的 倒叙手法完美引起了我的好奇心 算是部不错的黑色幽默爆米花电影。
这个就有点儿不知道说啥了，和着英以外的国家都是二哈啊。
三部里男女主的颜值巅峰，但确实剧情低谷。配角换太多，每个人出场我都得猜一下是谁。男女主都没安全感，爱猜忌，一个混不吝，一个作精，两人天生一对啦！别祸害其他人了！
故事讲得乱七八糟，前面大量的铺垫跟儿子的剧情，最后就这？？？为了打戏而打戏以及为了加背景音乐而加bgm，最后外面枪声一片大boss就坐在小木屋里等戏份？？？什么玩意儿
本系列已经没法看了，这部除了拉斯普钦那段融合舞蹈的打斗以外完全没有看点。倒是因为正好在俄乌冲突的时候看到一战这一段感触更加深。
如此弱鸡的最终反派，怎么配得上领导拉斯普京和亲爱的弗拉基米尔伊里奇…?
能看下去这个系列完全因为男女主的颜。之前我一直以为这个电影根据同人文改编，剧情应该早就确定了，现在看来更像是走到哪儿演到哪儿算哪儿，谁都没想好。拍第二部的时候根本没想到新角色到第三部会变成男主的父辈，选角完全推倒重来。也真正做到了男主从1到3，爸爸永远不是同一个人。以及明显感觉到演员们已经疲软，都不咋用心了，看看还能拍到第几部。
只有一两段有王男内味儿 还是好看的！在电影院笑出翔
哎，瞎看看还是挺开心的
这部真是难看 jo好好看 英雄哥怎么发面了 本来这种光靠颜值和doi戏的“五十度灰”电影就只有这两个卖点了 剧情可以直接忽略 可是为什么英雄哥还发面了 女主倒是更好看了 doi也难看的得要死 以为两个人已经开始貌合神离了 在外都有其他人的程度😅 怎么女导演拍的还不如男导演
一部充斥着混乱、荒诞、堕落与死亡电影！在混杂着毒品、酒精、淫乱与凶器的鱼龙混杂的大聚会中，不需要魔鬼的蛊惑，人们自身的堕落就可以轻易地毁灭自己！这里的血腥不再恶心、这里的性爱不再迷人、这里的死亡充满戏谑、这里的巧合实则必然，唯一的教训就是珍爱生命、远离毒品、不摆弄凶器。
咦，怎么越来越好看了，hero变帅了，演技也变好了，等4
我也可以写华盛顿是穷凶极恶的奴隶主，毕竟创作自由
就是想模仿50度黑白灰呗？关键女主还没那么漂亮，剧情也没那么刺激
我三岁的时候就看过这种剧情了，可是我已经不是孩子了
没前两部有趣，中规中矩吧。导演黑列宁有点太那个了。 亮点是妖僧的打斗戏设计的不错，动作跟俄罗斯民族舞还有BGM结合的很不错，算是一个亮点。
看出来了 有在尽力为拍续集想办法 哈丁的原生家庭真的稀巴烂啊 (还有我的🧛♂️Bill怎么现在尽演些这种角色😟
一晚上連看3部 只想問…第4部什麼時候來…（狗頭）
如此弱鸡的最终反派，怎么配得上领导拉斯普京和亲爱的弗拉基米尔伊里奇…?
第一部是青春剧有点甜，第二部是成人向有点撩，第三部又不甜又不撩连Hero的颜值都有点下降，怀疑导演自己有没有do过i，拍的是什么鬼，连床戏都拍得非常干，更不要谈剧情，两个年轻人好像步入正轨了，上一代又在作妖，什么玩意。
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