Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
在心情很差的时候看一看这样的玛丽苏真的让人心情瞬间变好，就像我们知道糖吃多了不好，但大部分人还是会忍不住想要吃很多糖。
总觉得，意犹未尽…故事情节略显草率，说不出的难受…可能是因为不够快乐时光不够长吧
祈祷在各个人物的身上发挥了很大的功效，迈克尔的祷告也好，安琪儿的祷告也好，都经历了一定的时间才实现。所以祈祷后，我们要学会等待，也要做好手头上的事，到了时候，祂必然成就。
fiction is the new reality
演技和画面都是在线的，但是不知道是不是剪辑问题，大故事还可以，但经不起推敲，有些地方会让人觉得摸不着头脑
我觉拍的挺好，我关注都是情绪，都是浅尝辄止，但又十分到位那种，画面也贼美
好久没有这样好好地看一部电影了。
怎么说呢，好似美好的爱情实际扯淡。影片想拍得唯美，但剧情不现实。不管是男人女人，在爱情中都还是有底线的…
这集多了刘玉玲和黛安摩根加盟 那个叫克里斯汀米利欧缇的演员依然笑死我
That’s the life I want to offer u: one full of colour and warmth, beauty and light.
让人期待的Death to 202X 又来了！每年元旦前定期观看都有种看元旦联欢晚会的感觉了。6
To find you in the middle of darkest night
回忆的穿插好残忍好残酷，但还好有荷西极致的爱恋，不管不顾的爱，看完才明白爱是放手，如果她还能回到你身边那她才是真的爱你，可是谁又能做到如此呢
不敢相信现在还有人拍这种“茶花女”式的电影
不喜欢这样故事的内核：真实生活中真的会有人来拯救你吗，扪心自问。披着外皮的玛丽苏小说罢了。除了毒害女孩从小到大的思想没有别的好处。
怎么会有这样好的人。每个人都有罪，活着的意义就是原谅和爱。原谅自己，爱别人。
没有什么事是不可能的
男帅女美 宗教改变的十足狗血故事 呃呃……打发时间看了都糟心属于是
说得好，2021 让2020显得只是个序曲。
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