Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
是我老了吗？ 成年人了，学会解决问题，对自己的人生负责。
只是让人心碎
看得快睡着，只记得住Jaime最后那两缕蓝发。
两位女主的性张力也是一绝🥵
她说：I think about you all the time,about us, do you？她回：Everyday 我不管！就是he！（虽然因为卢卡在掐人中了（卢卡还是她们想去的意大利小镇名） 她说：I dont believe in it她回：you dont have to.I can believe enough for both of us.我一个人的信仰足够支撑我们两个人的了。我一个大震惊！宗教背景下的懵懂爱情真的好禁忌好拉扯，爱死了👍🏻我愿封为2022年前半年最佳，好多细节，气氛太到位了，手指摩擦触碰，汽车后排手拉手，洗手间隔里的后背抱，打着社区活动的名义开车到山上贴贴，谢谢宗教才有洗礼这一幕，太让人心动啦呜呜。把J塑造成逃课抽烟的叛逆学生，结果到头来全是M主动的！
宗教背景下看着有点压抑，经常他们有一些亲昵嗯举动时就怕有人突然发现，不过结合时间背景来看，蛮现实的，希望大家都不会迷茫，不会屈服于世俗吧。 最后提一下，最后几分钟看下来就一个感悟：不婚不育，青春永驻。
好久没看到这么心动的电影了，看了两遍，前面有多甜，后面就有多虐，呜呜呜呜呜。
闻不到荷尔蒙的都不能称为青春片。最后女教练一句“男孩练花游要阳刚”把我给噎住了，倒是符合有关部门的精神和审美。
好久没看到这么心动的电影了，看了两遍，前面有多甜，后面就有多虐，呜呜呜呜呜。
Jaime真得很大狗狗 哭的时候最可爱
人物形象太刻板了，剧情急转直下没收好尾，但是都没关系！因为太好嗑了！心跳疯狂漏拍！友情提示：这部电影只有70分钟，后面的剧情可以忽略。
电影院厕所的背后抱是全片精华，结尾看到小孩心梗了，其实不是很喜欢宗教元素，但是teen love戳到了
吻戏带感，总体无聊。。。这种题材和宗教牵扯在一起就更无聊，
2.5 褻瀆本該是刺激的但沒達到點上，加了宗教禁忌元素並不能擺脫百吐投稿般的平庸內核。Jaime長相我挺喜歡的
前面看两个人极限拉扯，本人老脸红了又红，完全她们的情绪牵着走，浴缸里忏悔doi真的好戳我。。。。最后说我们绕远路吧，小心翼翼地问出那一句：not gonna let me go？心酸又无奈，我爆哭。打分全凭个人好恶，这是今年目前为止的最佳
好啊又是拉拉👩❤️👩你们爱而不得的女本子还要虐我多少次呐...太细腻太真挚的感情，可是一个人的信仰真的无法支撑两个人💔是今年看过除了小姐之外最好看的姬片了！
我无法理解这些感情到底是怎么发生的又怎么进展的。整个剧情对我而言很无聊，充满着不理解的色彩。
两个人拉扯的情绪刻画很入微了
只想看五个而不是一群人，后半段的故事无聊也不热血，最终的花游表演像个汇报演出而已
浪费我生命的一个小时。我还从没给拉片打过这么低的分，就是个自传吧？不然不能写成这样吧
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