UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity.
Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police.
Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport.
The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted.
The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship.
After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
虽然挺老套的 但我还挺吃师徒这一套 更喜欢大泉洋的演出一点 女演员也都相当棒 门胁麦和铃木保奈美
我们也已经越来越缺少这样的精神，师父没有师父样子，徒弟更是忘恩负义，毫无忌惮，如今不仅不能奢求社会普遍价值观推崇感激师父的点化之恩，甚至只要不反目成仇、恶语相向就已经算有教养了吧？所谓人心不古！
整个叙事非常质朴简单，看不到半点卖弄，却温情的让我内心融化，笑着将悲情的才是最动人。整部片子看下来就两个字，舒服。
-0.5 太平稳了 整个风格甚至刻意了...
同时记叙的还有那个在电视冲击下传统艺术走向没落的日本，那个充满昭和气息的浅草。
浅草老油条北野武。
片子算不上多好，节奏略跳脱，很多情节的目的性都很明确，属于煽了但没用力煽。
把北野武早年经历拍的这么无趣也真可以，剧团一人不好意思，还是想说很浪费演员………
身处现今这“高冷”而仓惶的年代场景中，在这习惯了隔离疏离的时空里，如期看到这样一部在摩肩接踵的戏馆酒肆市井里散发着温暖的正常人间烟火味的片子，尤其让人感动莫名。 我想这就是它的豆瓣评分远高于IMDB的原因吧。 当然，这是北野武和深见千三郎的故事，当然也是渥美清与山田洋次们的故事。北野武的演艺生涯，也像寅次郎的游历人生。片中着意提到了渥美清，是一代巨星彼此间的惺惺相惜，是一个族群个体之间的情意，也是他们对往昔时光的敬意。 电视和漫才或许能取代剧院与谐剧，大火与地震或许能烧毁浅草，但江户风情依然。或历困顿，仍然幸运。 对一片土地来说，真正的不幸是文化的断裂与人群的疏离。
第3494-加一星给两位主演。演北野武难度挺大，尤其柳乐优弥外形颜值上与北野武差距这么大，痕迹肯定有，能不突兀已经很不错了。以前没看过大泉洋的戏，能与柳乐优弥平分秋色不容易。
年轻时候北野武的故事，应该大多数国内观众都不怎么熟悉吧，还是挺有意思的。
同为网飞投资，这部北野武的自传电影看起来就像2016年的大热日剧《火花》，同为漫才艺人，同为失落群体，同样有一个可能有着足够天赋但并未得到机会的入门老师，同样描绘的是这种师徒之间的感情，也同样的动人。可以理解现在的北野武为何性格如此，而这部由自传改编的电影更像是北野武对恩师的回忆录，一体两面的巨大反差才构成了这个演艺圈异类的全部，火葬只烧一半应该这种饱含悲痛的漫才吐槽明显是北野武能力范围内的个人发挥，因为每一个喜剧背面都有一个悲剧。
“不要被人笑，要逗人笑”
“如果车费有剩，记得送来还我”人生有剩的东西可以不可以重来呢。不用去考据真实的故事如何，影帝实在是太顶了。整个作品娓娓道来了更多的是深见师傅的人生，最后这段搭配北野武自己演绎的《浅草小子》容易泪如雨下。另外，现在发现门胁麦挺像李梦的。
故事比较浅表，以对师父的追忆为主要视角，若没有浅草的深见千三郎不会有后来说漫才的北野武，踢踏舞跳起来的时候还是很感人。人物方面柳乐优弥很努力在cos，但我也觉得模仿面部的细节有些刻意，门胁麦特别自然舒展，越来越好看了。
感觉北野武哪一段经历拿出来都比这有意思，拍得还是挺老套的师徒片。柳乐优弥为了学北野武的歪嘴说话估计也挺辛苦，但真的很出戏啊艹
“听好了，不要去讨好观众，由你来告诉观众，什么才是有趣的。”
6/10 很标准很日式，柳乐优弥确实有捕捉到北子爷的精髓，但仅限于表演的模仿。而且真的太煽情了，剥离开来之后甚至显得空洞。属于北野武的故事没多少北味，不是很满意
和师傅重逢的戏份非常动人，曾经对漫才不屑一顾的师傅愿意在大家面前同徒弟一起表演，愿意当角色里那个装傻的人。影帝的表演一如既往的好，尤其相较于更靠近现在状态的诡异特效妆容。同理最后的长镜头也意思不大。
喂! 浅草小子，一起加油啊!
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