A film on the come back of exorcism in the contemporary world. Our world. Each year a growing number of people call their sense of unease “possession.” In Italy, Europe, worldwide. The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now? This is the story of a meeting between the act of exorcism and everyday life, where the contrasts between the ancient and modern, the religious and profane, are at times disturbing and at others exhilarating. A film not about religion, but about how religion can be experienced.
虽然我横行江湖，杀人不眨眼，但是我的后代是无辜的，有前途的，带着希望的#殖民地拓荒者后代眼中的祖先#
原来是一代传奇“比利小子”，牛人，美国扫地僧！
分数：63
虽然我没在江湖，但江湖一直流传着我的传说。
制作精良，剧情薄弱，细节欠缺，很传统的西部片
给满分了，非常喜欢西部片，一看开头就知道结尾，但是这个片子还是非常让人惊喜，不输经典，西部片里程上，又一个让人不的不提的一部片子，非常喜欢
西部时代，或许美国建国靠的就是这股子狂野西部拓荒精神，一个个老亨利最终倒下换来了小亨利的崛起，但比利小子传奇永存。
色彩动人，细节精致。即使不交代老亨利的身份也很好看。
节奏慢得惊人。为毛要先安排一场拿长枪与匪徒对峙的戏？
全片简洁不拖沓，最后的枪战有种回到老西部片的感觉。不过西部片真的没落了，也只能挖些老素材拍了。
剧情中规中矩，老亨利处事果断，枪法稳准，疾恶如仇。动作快，姿势帅。
至少闪回交代一下以前的“丰绩”吧，不然还是显得突兀。就算信任了，也不至于为其拼命，特别是作为本来就是想隐姓埋名的人，带着儿子离开不应该是最好的选择吗？
演员演的不错，后面枪战可以安排的巧妙合理一点，老头第一次出门面对一大群人马隔得又不远居然可以不利索的退回屋里，那一群人也是职业枪手稍微尊重下他们的职业好吧。
开头我就认出了警长就是刀锋战士里那个吸血鬼，还这么狠，这丫的没救了
混乱的西部，开始的想法没错，黑吃黑。
4星。很酷，在父亲节和父母一起看的父亲的电影
you go see it
影片中出现的通缉令上的照片也是史上流传下来据说是Billy the Kid的唯一照片。
感受就是，黑吃黑真可怕
再现了克林特伊斯特伍德的西部时代 整片可称为西部片中的《老枪》
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