Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
比较无聊的故事，看开头就能知道整部电影90%剧情，除了俗套之外，剧情上也有漏洞。粗制滥造的主题公园，结尾彩蛋也没看明白，突然要去做坏人了吗。
最后可太草率了！明明都是同类，为什么蝙蝠只听一个人的？？？战斗力太弱了。为什么就变成奇怪生物的人没有那么多痛苦的经历……本来觉得可能会很好看。不得不说Jared Leto的眼睛真漂亮！
看起来还行，移形换影的特效做的挺酷的，很有力量感！问题是变异不得血清打脊髓吗？怎么女助手还被吸血鬼感染再生了呢？照这个逻辑，前面被吸血的各种人，不都得复活了啊？！
所以DC和漫威是平行宇宙吗，蜘蛛侠串起了两个宇宙
烂归烂，某些打斗场面还阔以。彩蛋感觉博士被骗了啊哈哈
进阶现代版夜访吸血鬼 分全给演员阵容 但观感上比毒液2和蜘蛛3好
漫威搞这么个角色出来确定不是为了恶心蝙蝠侠的么
没想到竟然是漫威的电影。感觉整体质量一般。最后两个彩蛋不知道什么意思。打发时间挺好。
漫威的升級版吸血鬼亂戰。算是給小朋友看的片子吧，各種直接和幼稚，完全不需要用腦。蝙蝠耳辨聲那個表現/特效算是有點意思。導演交了個及格作業，但其實乏善可陳。竟然還是期待續集的，因為想看Adria。很喜歡leto，多給一星。希望續集能好點。
哈哈哈哈是不是因为口碑实在是太差，导致我看的时候期待值已经是负的了，结果意外的觉得还可以甚至有点儿喜欢？？？将回声感应通过致幻的粉末化流动进行视觉化还挺酷的（X战警蓝魔鬼升级版嘛），甚至不那么尴尬地搬来了“子弹时间”，将原本可能会是严重短板的动作戏增加了些许可看性。之前被诟病如基因缺陷一般的叙事，我觉得甚至比《毒液》第一部都要好，抛开对漫威的预设要求去看，这不就是一部典型的八九十年代B级片嘛，只不过恶趣味这块儿欠缺了不少，要是放开去做R级血腥就好了。莱托变身后真的有暗影之王里德古拉内感觉了，而且决战法师系操控蝙蝠就很《德古拉元年》，爱死我了好吗！！！（没辙，我遇到吸血鬼就没标准了哈哈哈哈，比如《范海辛》这种我的心头肉）而且，秃鹫这个彩蛋，虽然有险恶六人组这个趋势，但是也没算打破此前的人设啊？？
故事老套也就算了，但我真的很久没有看过这么暗的画面了，暗成一坨黑，为了省特别特效预算真是丧心病狂。
我以前都不知道漫威里有这么个角色。这个英雄是个吸血鬼，行动方式挺帅，不过战斗力好像比较一般。至于电影本身，故事老套，实在没啥可多说的。
这部电影看起来剧本像是上个世纪末按照当时的超英电影的标准写的，因为没本事做特效，所以留到今年才拍好。2022年了，我真的不想再看丑吸血鬼！！！我想看好看的吸血鬼！！！穷人靠变异，富人靠科技；靠科技变异怎么说？
Nicholas博士咽气守时到毫秒！！！你是Dr. Punctual么？
索尼以后可以把三流当作卖点，让观众自愿审丑
这看样子是拍个过度片，给加菲蜘蛛侠铺垫呢，成片质量比毒液2好一点，就是剪辑感觉不对
1.5吧 导演水平不错 能看出来已经很努力了 这种超级“英雄”电影注定失败的原因 除了角色本身毫无魅力以外 就是起源故事非常单薄 配角少而无聊 换句话说 不是随便哪个弟弟拉过来都能拍独立电影的 毒液也是一个道理 这些反派出身的小角色是撑不起来一个完整故事的
动机全没有，人人都是聪b，除了f话连篇就是解释性台词，这剧本我奶奶都能写
平平无奇，蜘蛛侠番外反派宇宙根本没点整体的考虑，这样亦正亦邪的角色同质化严重，定位混乱，突变版吸血鬼，我倒是希望真的吸血鬼始祖来搅个局，感觉没法自圆其说了。
漫威第二个十年过半，剧本水平已经差到堪比网飞大电影了吗？一塌糊涂！硬cue彩蛋！
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