The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
美队：任何宇宙我都能五五开；红女巫：Hold my beer
1.另一个宇宙的复仇者光照会，和黑化版旺达交手不超过十分钟团灭，就这？
所以现在所有好莱坞演员都是漫威打工人了……
大管大弦的therefore i am全场最佳 甚至搞了一首到云盘😋
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这啥啊这是，匆匆忙忙的爆杀，匆匆忙忙的自杀😂
设定和手法清新脱俗，由经典的“温氏开场”快速切换到类怪兽片和悬疑的新鲜配方，转场特效、动作设计和音乐都可谓“潮”到飞起。最大不满是赤裸裸为了续集或宇宙的结局设计，女主若能最后抱着大爱之心如那些和反派同归于尽的角色一样直接给自己脑袋上来一枪，才是符合这片后期血包量的常规结局。然而将屠了整个西雅图警局的BOSS关押起来而不是就地处决，加上低级的彩蛋设计，情绪得不到释放、仓促、不合伦理。另外，可能因为我个人First Impressions情节很重，越到后期越甩不开《JOJO黄金之风》和《哈利波特》的反派印象。
一干人等到处穿梭赶场，有种跟着旅行小团上车聊人生下车打群架的即视感
令人做呕绿茶婊，别人不歧视我，但我可以歧视别人
2. 女主颇有小桑德拉•布洛克的风韵
五彩斑斓的高清光影舞台
故事讲的不错，属于惊悚片，相当于人格解离，只不过这个偏向寄生，有形体。
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BILLIE EILISH AS THE REINCARNATION OF KURT COBAIN.
还挺喜欢这种形式的新型整砖纪录片，伪现场+歌曲+歌词同时呈现，眼睛、耳朵和心灵都得到了享受，同一首歌听起来感觉完全不一样。
看到一半，朋友在旁边嘀咕，旺达在现实生活中绝对是个Karen
其他也还算传统风格的惊悚类型
美队：任何宇宙我都能五五开；红女巫：Hold my beer
还行吧，就是温导强行给自己媳妇加戏……另外，变身那段竟然有点搞笑
Climax段落 錄影帶和看守所的‘平行剪接’ 視覺層面太狂了… 故事不太行，尤其最後結局整個弱掉了(硬包一個'親情'的大和解)… 整體算是JamesWan的中等偏下水準之作… 能引進到iQiYi上映(雖然難逃剪刀手) 可能也是因為這部有某種科學理論背景支持…
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