With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
最后20分钟完全多余，何必最后硬生生给个结局呢？拍续集不好？
没怎么看过冰原战，万里冰海，北风呼啸，听海水在冰面下呻吟。挺好的题材，可惜发挥的不足
片子有点烂，女主有点美，没让我睡着就值三颗星了！
本来还期待是一部气质冷峻的片子，不知所谓。
北欧国家对营造末世冰雪世界观很有心得。本片情节可以做成个游戏，实际上环境和角色设置也很像个游戏，但是作为电影的话，这个剧本就差点儿水平了。
自从在某个侧面角度感觉女主像于小彤之后，我就发掘出来满多乐趣，非常开心地看完了这部烂片😳
扣分主要在逻辑。病毒扩散是不能划线的，也就是不能控制的。如果蜜蜂死了，那么地球上80%的植物就不能受粉。即使投病毒的人躲起来存活，人类的多样性却被灭绝了。多样性的灭绝会导致治疗方法的大幅减少，剩余的人类会变得异常脆弱，基本走向绝路。
抄袭恐怖鸡，社会深度又跟不上，啥时候我中国文化这么有优越性了？
奇怪的电影，不是我喜欢的
没有那么容易吧，导演想得太简单了，四星给女主。太美了。
谷阿莫，下面网友说片长短一些就好了，那我找到正确打开方式。很完整的一个故事，六人小队执行任务，挨个死掉，最后女主虽然完成了任务，但是为了不泯灭的人性，和自己千辛万苦送来的生化武器一起爆炸。
好悲惨的故事，作为一个有女儿的妈妈，看了绝对心理阴影，我当晚做噩梦。过程还是紧凑，险象环生，惊心动魄，还是有智商的。但就是一件事不明白，冰上行动穿个黑色作战服是为了让敌人看的更清么？
如果事情发展得太过于巧合顺利 要警惕是否有人故意为之
故事完整，女主颜值有说服力，为拉分强打五星。“你以为别人约你是因为你有趣，其实是因为你有钱”，富豪警示恒言。
真的是简单粗暴，么得什么感情的反诈题材电影呢
剧情很过时的好莱坞设定，但是欧洲人玩点这些还是要学习的
在这种时机推出这么一部电影网飞心机啊。电影的观感真的很差…
3.在极地作战的装备和战术动作还是比较专业的
“结束战争”的唯一方法是自杀小队带着“神秘武器”滑冰到奥德，一行六人最后只剩下两人，途中发现是生化武器，为了阻止生化武器的研制、使用，女主带着样本自杀，全片以女儿贯穿了女主的信念。挺不错的。倾覆的救生艇周围，各种姿势冻死的人与冰面融为一体、年轻狙击手的口述，无不展现了战争的残忍
仇富歪理阶级恨，数码新贵人人忌。
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