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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
比第一部更差，人物就几个，来来回回的，想拍出无间道没那个本事，黑帮的戏份也写的不完整，不是很好看
人生就是要过的辽阔，不是一步距离严谨的罪案推理片，讲的是友情，理想，现实的困境如何克服。需要有一点人生阅历的人才能看懂～
日记提及文工团仓管员&首席舞蹈演员，首席舞蹈演员或许死于大火；
不会比第一部差，5分好评，日本黑社会暴力爽片。
日本黑帮只靠吼，无聊。和第一部比，这就是坨翔了
匠气十足，情感反而不真实了。略显冗长，这个剧本不同的导演导出来观感又会完全不同，想想韩国版印度版，都值得期待。
一大原因是故事背景一脉相承，时代即将落幕，师徒仅存其一，剧作的颓势无法避免，只好讲干瘪到无聊的私人对峙，纵使松坂桃李与铃木亮平演技有保证，也于事无补了。西野七濑没有结合情境出状态的能力。
不知道这么优秀的作品为什么评分这么低 。评论区都是些什么人？自己不会耐心去看，把情节分解重组不就得到了正确认识。还有这个取景和演员都是很棒的好吧。真搞不懂吹毛求疵的人。
略长，剧本扯淡，但觉得人物个性展现得很有劲。
怎么说呢 一个变态狂躁男目无王法疯狂杀人杀老大 小的也没有一个敢上的。有些部分还是有点扯
输在了剧本的电影，编剧不停的在制造反转但到最后又拍成了一黑一白两个人回合制这样的烂俗桥段。男主看似胸有成竹但其实只要有一点风吹草动立刻崩盘，每次看起来想要谋划些什么但总是棋差一招，松坂桃李演技有进步但是比起役所广司差距还是太大。村上虹郎不错，缺个一番电影证明自己。西野七濑就不说了…没有一个人的戏是她接的住的。可惜，两星半。
时间太长，压缩到100分钟能更好一点，比第一作血腥度弱多了，还有也就西野七濑的屁股算个看点吧
比较良心的作品，细节处理虽然不足，但是比网大流水线作品还是稍微用心了的，值得给个四星。
以眼还眼
情节设计一直都很好，就是结尾如果男主死去要更符合故事走向.......反派演得很有个性，男一演技也比较扛打
没有第一部塑造角色成功，反派恶的来源竟然是童年不幸？
电影无论是剧情的发展还是人物的营造都充满了剥离感，演员们虽然穿着上世纪七八十年代风格的服饰，却完全没有演出那个时代的精气神，样板化、脸谱化的表演倒是仿佛停留在那个年代，更不用提两位女性角色那让人脱戏的整容脸了。除此之外，全片无论是悬疑气氛的营造还是刑侦推理的过程都相当失败，支离破碎的剧情难以贯穿成一条完整的故事线，让观众难以投入剧中；值得一提的是，标题《远山淡影》虽然充满了艺术意境和留白，但只是搬来某个日本作家的同名小说，而且和原作一点关系也没有，让人大跌眼镜。
男主特意留胡子可还是一脸男娼弱鸡像，完全没有前作那种故善其身的气质。立本popo残废虽是老传统了，但反派整个就一连环BT，剧情展开完全就是想到哪算哪。
淡淡的景色，淡淡的忧伤，又是芭蕾舞题材的，还有baling与侵害，以及女主失去了自己做了别人的人生。警察画师立大功
桃李跟广司比火候还是欠很多，故事也是故意而为之，将近7分的评价我不理解。
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