After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
...Prince woke + the duchess of me-me-me..
2021年度梗（即使是以美国梗为主）大乱炖盘点，笑死如果放在2021最后一天看就更好了
我发现了，这片子光看字幕get不到笑点，不够了解欧美文化也get不到笑点，我真应该放弃跟我爸妈一起看这个系列。
可能未来的每一年都值得这样吐槽了。ps：那个戴脚链要炸口罩场的姑娘真好笑啊
这两年发生的事情魔幻到分不清电影里哪些是真的哪些是假的。。
结合dont look up会有很无奈的感觉 笑完觉得好悲伤就是说 世界还是在分裂着 我觉得我笑的不应该 但也没办法
和death to 2020一起刷完 感觉那个世界还是一点长进都没有…民意 民主 真的太好操控了吧…
太保守了，一旦看透明显的政治立场就不好笑了
继承上一部death to 2020的风格，只有这种介于真真假假直接，荒诞的喜剧才能让人笑对又一操蛋的一年。
不知道是世道出问题了还是我出问题了，这片子应该是部讽刺喜剧，但是看着又像是部纪录片。
“We end the year as we begin it, polarized and divided.”🥲
爱具体的人，要有独立思考。
Gemma每句话都讽刺得针针见血，太搞了哈哈哈
希望2022年别再去死了。
还是挺左的，按照这个论调基本上没有弥合分裂的可能性。
同样一个套路，放在大洋彼岸拍就是情欲试探或是探索性觉醒再到“真我”挖掘，身体动了，心智也要觉醒；放到更“内”的影视制作语境里，自然也就顺其自然地发展成了“欧尼与小狗的快乐结局”这般糖水（因为再“过火”的演绎已经有那些小电影了，自然不需要那么做），对照起来看有意思。物料里的噱头最终被转嫁为李濬荣成功转型、用心良苦的几刻特写；徐贤“正直忙内”的团设在脑海里挥之不去，始终委婉把人推开。如同这最后不尴不尬的呈现，也看得一样在被束缚。
新冠不休，续作不止...（突然觉得每年回顾一遍挺好的👌🏻已开启年订阅
虚构与纪实交织，抖包袱的密集程度基本属于出口成章
结合dont look up会有很无奈的感觉 笑完觉得好悲伤就是说 世界还是在分裂着 我觉得我笑的不应该 但也没办法
调侃式对2021大事件的总结，不出意外的对于川普和僵尸拜登的不留情面，对于疫情下不愿带口罩人群的刻画，以及休格兰特对于007角色的不屑，完全的美帝视角。
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