Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
boss肉眼可见的弱智，感情戏很认真，7分
剧本用心了。可见的剧组贫困，特效可见的烂。但是故事很好的解释了至尊宝和紫霞的缘分。担得起缘起二字。
差不多是所有大话西游续集和衍生里最好的一部了。鼓励加一星。
女主不错。剧情谈不上水，但也不出彩，但《一生所爱》想起时还是湿了眼角。这是达叔最后的遗作了吗？
剧情不错，看得我还是有些许的感动，就是节奏稍微有点快。看过经典版的大话西游就不要拿来瞎比较了，这又不是续集。给00后，10后一些去看的机会，反正我是推荐的。已经看过无数类似的仙侠片的就不要瞎掺和了，完全没看过大话西游的人看感觉是不一样的。每个时代有每个时代的经典，父辈的经典不一定是晚辈的经典。
导演跟编剧是同一个人，看来对大话西游是有过研究的。剧情不知道是不是原创，感觉就是大话西游的前传，女主角选的不错，致敬达叔也是加分亮点，有院线的水平。但是本片特效暴露了网大还是网大，可以加强一下，尤其是后面打石头人那段。还有孙悟空的装扮真的特别尴尬，总体来讲是强于一众网大！
其实不太希望出大话西游系列的，周星驰的经典是一座看不到顶的高峰
前作过于经典，这剧能拍成这样不错了，选角尚可，演技在线，剧情顺滑，配乐沉浸，超出预期，值得一看。除了孙悟空颈部以上造型有点丑以外，没什么太大的缺点，冲着达叔遗作再给一星
相当用心的网大了，至少比同期档位的院线电影有诚意，及格~~~
还不错啊，虫战那一段有星际舰队的感觉。女主好美啊，就是大Boss没劲。
作为网大我说它已超预期。剧情重新解构《大话西游》却将原作基调保留还加入新解释不得不说比刘镇伟做续集好看多了。紫霞仙子虽没朱茵灵气但俏皮感却不输。三星的制作加一星给吴孟达最后达叔还是将欢乐留给我们
一星给达叔 尽管他这个角色实在是..只剩情怀
虽然在一生所爱响起，至尊宝遗忘紫霞的时候还是有那一刻被感动的，在加上女主颜值在线，特效的压迫感，还是不错的。
一星给服装 特别是青霞的这一身
作为网大还行，也算弥补了大圣娶亲里紫霞的遗憾，毕竟这一世是至尊宝先动心的，三星鼓励一下
紫霞的女演员可以。但本片很沉闷，很无聊就是了。
想了想为什么会喜欢周星驰的大话西游 可能也是因为周星驰和朱茵 可能也是因为那个年代可以看到穿越剧情 可能也是因为至尊宝和紫霞的爱情停在那时候就够了 或者当年看着快乐无厘头的时候没想到后面隐藏着那么悲伤的故事的震撼。
作为一个剧本合格，演技在线的电影，我们没有理由给他差评，可惜这里是豆瓣，一个只在乎名气和所谓国际化的地方。
我个人是不知道大话西游好看在哪里的，大话西游如果让我去打分也就是三分吧，然后这部也是三分。
槽点和诚意都很明显的电影。
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