Marco (Mario Casas) is a young businessman who manages one of the most successful technological companies in the world, ALVA, which has just launched its latest prototype into the market - CYCLONE, an electric car propelled by turbines that turn wind into energy. His friend and classmate Diego works with him, along with the latter's wife, Bárbara, the efficient marketing manager of the company. Eva, a young, ambitious engineer who has a lot to hide, also joins the team, and she will disrupt the balance at work, both emotionally and professionally, between the two business partners. In spite of being a popular guy, Marco, unlike Diego, doesn't have an exciting social life. He is a solitary man, and no one has access to the intimacy of his soul, apart from his psychologist, SARA, on whom he is emotionally dependent. Marco is haunted by a huge number of ghosts from his past and, although he tries hard to scare them away, he only finds comfort in sport and in frequenting a private club. People go there just to get pleasure and give free reign to their wildest erotic fantasies, without fear of falling in love, as everyone has to wear a mask to hide their faces. But everything changes when Marco meets Carol, the new educational psychologist who looks after his brother José, an 18-year-old boy with problems of autism, with whom he has a difficult relationship. With her, he will also meet his worst enemy - himself. Thanks to her, he will discover that it is never too late to love, even if it brings some pain along with it.
你我皆凡人，活在人世间，终日奔波苦，一刻不得闲，既然不是仙，难免有杂念，道义放两旁，利字摆中间！
用脚做的剪辑，段落之间有很强的断错感，像是拼凑起来的碎片。虽然讲明白了故事，但没有任何代入感，谈不上角色塑造，都是工具人。莫比亚斯被蝙蝠包围的时候，差点以为这是索尼拍的《新蝙蝠侠》……
为啥这片才6.3？第一次觉得豆瓣评分偏离了我的审美。打个五星拉回点分数。
粗制滥造的cult片，芬兰和北欧其他几国拍电影的水平差出了一个苍穹
很难不去和新世界比较，只是一旦比较起来，就感觉差太多，单论演技，每个都还行，就是有点儿角色和演员不契合的感觉，只有两个角色没有违和感，一个是赌场老板，每天追债那个，另一个是神似金允石那个贩毒大佬，他俩对味儿，别的都差点意思。
这种恐怖片的路子不错，恐怖感可以和日常生活隔绝开来
都荒凉且没有意义
再次，怪鸟宝宝的样子又萌又可爱，那双大眼睛像《指环王》中的咕噜姆。很恶心的就是怪鸟宝宝只吃女主的呕吐物，为了喂养怪物，女主每次都要呕吐。还有，怪物开始不断趋同女主，顺从女主的黑暗心理开始为非作歹，直到完全取代女主。
剪辑垃圾 让别人小孩死的理由是想让自己小孩幸福生活 这种屁话真是现实可笑
还有《莫比亚斯》55：18报纸说：犀牛人逍遥法外。
复杂的叙事是要以人物来承载的。从这方面来看，不是很成功。
勇敢地迎接逆境，即使不能实现最初的梦想，也会打开另一扇梦想的大门。
以惊悚童话的方式隐喻了失败的家庭教育对孩子人格的畸形
不知怎么地就特别能共情，晚上被赶出情夫家里那一段看得我快窒息了。父母就是孩子的全世界，遇到垃圾父母就是毁人生
期待很低，反而很惊喜，Morbius的幻影移形超帅的！而且剧情相当古早，简单粗暴，相比于现在故弄玄虚的xx宇宙大乱炖，更符合我的喜好。Jared Leto相当增加角色的好感……实在是太帅了，所以唯一的差评来自为什么总让少爷变身丑八怪。
原生家庭孵化出属于其特有的罪恶。这个结局已经是前面剧情能收最合理的尾了。
剧情稀烂，节奏凌乱，充其量就是韩国黑帮片流水线的残次品
曹东七说的没错啊，阿媚的对象当陪酒的不让碰还喝那么贵的酒，自己都有对象了，还出来干陪酒的，装清高？不是乞丐也是臭要饭的。真拿所有人当怨肿了啊
We Finnish people just occasionally hatch things
其次，好有喜感，女主捡到了鸟蛋，鸟蛋竟然越来越大，由捧在手心到趴在鸟蛋上。
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