Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
前面都是很流畅吸睛的。如果女主始终无坚不摧。全钟瑞是会演的。翻版朴宝剑露个脸吧。
中了孙锡久的毒 妈的 这男人怎么能集欲跟丑萌为一体呢 要去重刷超感猎杀了 女主性格赞爆 希望也可以这么酷 可以直视着人痛快的随心所欲说话
Character translates anywhere
美国电影嘛，就是这样，普通人都能成为超级大英雄，情节也一般
以为他俩能拯救剧本 结果是莫名其妙的错位感反衬得故事更寡了 看完觉得恋爱属实没劲
化学反应很好，全钟瑞我可以，就是确实剧本太套路了
就是为了两个人看的，其实俩人没啥cp感，但是在一起就是有一种……因为这俩人都爱看，同时出现在一部剧里也太想看了，只单单看两个人演戏就已经很好了啊。
還是比較俗套的愛情小品，尤其最後部分，有性無愛還是不行啊。本來為了看孫錫久不過全鐘瑞有點意思，如果不是這倆人電影可能會更垮
轻喜剧＋演员对味，导演估计是绿色狂热爱好者吧，还是有点意思的。
剧情一般。但孙锡久真的好奶啊，太喜欢了😄😄😄全钟瑞不愧是电影咖，力度到位👍👍
韩国烧酒难喝却依然在国内有市场的原因，全是被这些韩影害的，以为自己喝了就能像全钟瑞这样可爱吗，以为喝了就能有孙锡久这样的性伴侣吗？做梦！
这个组合蛮期待｜意外的发现出资源了，很搭很搭，想起了melo，对话哒哒哒的，果然是位年轻的导演，男主就是很有魅力啊！
俗套爆米花电影，想讨论一些议题却又走向罗曼史。
很好的励志片，看的心潮澎湃，男主稍微不足，可能剧本问题，没把男主演的更伟大一些，这样反转的更夸张。我打7.5分，4星算了。
孙锡久完全演不了傻子，我看从第五分钟之后人物就已经不成立了，但又有什么关系，我看的就是他😀
视障孩子唱歌还是很感人的
因为你长得最像没得性病的！
孙锡久！！！为什么如此sexy！！！why！！！
是喜欢的全钟瑞，但不是喜欢的孙玖锡
励志故事都那样，
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