野蛮的印度电影免费观看 高清

评分:
9.0 推荐

分类: 欧美剧 1991

导演:

剧情介绍

INDIA is an exotic mixing pot of iconic wildlife, secret locations, epic landscapes and colourful beauty. This iconic and landmark series is a celebration of India’s most spectacular locations and incredible wildlife. From the "home of snow" in the epic Himalayan Mountains we travel to the mighty River Ganges, lifeblood of India as it carves out its dramatic path across the subcontinent. We also reveal Thar, the “Great Indian Desert”. Its territory includes much of Rajasthan (“the desert state”), where the bleakness of its environment is juxtaposed with the striking colours of traditional Rajasthani dress and amazing wildlife spectacles Also featured is India's lost world of the north east, home to head hunting tribes, tiger infested forests, mountains not yet climbed, rivers waiting to be fished. And finally to the Western Ghats. This biodiversity hotspot is home to epic waterfalls, hill tribes, hidden caves and stunning wildlife.. Part 1: Thar Desert Sacred Sands Covering 200,000 square kilometres, India’s Thar Desert is one of the harshest places on the planet. Baking heat, desiccating winds and near permanent drought has earned this unforgiving land another name – “the region of death.” As we explore India’s great desert we unveil its hidden secrets, and ultimately shed light as to how the Thar has become the most crowded desert in the world. Part 2: Ganges River of Life The Ganges is the longest river in India. It flows from the glaciers of the world’s highest mountains, the Himalayas, to the largest bay in the world, the Bay of Bengal. Human pollution threatens to overwhelm the river, but somehow wild animals survive. Hindus believe that Ganges water has the power to purify, and it seems there is some scientific evidence to support this conviction: microscopic organisms actually eat bacteria that could cause disease, and uniquely high level levels of oxygen break down organic waste faster than any in other river. This self-cleaning property of Ganges water helps support some of the last remaining true wilderness in the world – the Sundarbans swamp. Here, India’s largest population of wild tigers have never learned to fear man, making them very dangerous neighbours. Part 3: Himalayas Surviving the Summits Outside Asia, no peak reaches above 7000 metres, but along the Himalayan range, over 100 mountains exceed this height by at least 200 metres, making it the tallest mountain range on the planet.As Earth meets the sky along this hostile terrain, powerful winds, sub-zero temperatures, and a lack of oxygen oppose virtually all forms of life, but remarkably, this immense geological feature somehow supports one of the largest and most diverse collections of creatures on the planet – including man. While the Himalayas rugged highlands offer little direct refuge to humans, in the shadow below, over a billion people in India rely on the mountains for survival. Part 4: Western Ghats Monsoon Mountains Stretching for a thousand miles along India’s west coast, the Western Ghats are a spine of mountains that lay claim to being one of the most bio-diverse places in the world. Mountains rear their heads into the path of monsoon clouds, intercepting rains and making the western slopes some of the wettest places in India. Tropical rainforests thrives, and explode with life. The Western Ghats hold the key to life across southern India. Rainwater harvested by the mountains washes down to the coast, feeding Kerala’s backwaters; huge rivers flow east across India’s dry interior, a lifeline to animals and people. Part 5: Indias Lost World Imagine a lost world – head hunting tribes, tiger-infested forests, unclimbed mountains, pristine rivers. Known as the Seven Sisters of India, there are seven relatively unexplored and isolated Indian states. What mysteries lie within this secretive land and why have they remained untouched for so long? North-east India is an anthropological paradise; there is no other place on Earth with so many different ethnic groups. The forest slopes are filled with mysterious tribes whose lives are dictated by the ebb and flow of the rain and the seasonal fruits of the forest. In these largely unexplored and isolated areas people scarcely known to the Western world continue a way of life steeped in ancient rituals.

评论:

  • 陶祺然 8小时前 :

    费兰特同名小说改编,主题依然是女性困境,悬疑戏份过于抢眼反而影响了主题的传达(很怕女主被那一家人暴揍),总体看下来一般般,应该小说会更细腻和透彻一些,期待看到小说的中文出版。

  • 靳晗蕾 1小时前 :

    太真实了,很raw的画面 很raw的情感。群戏也厉害,连小孩子都演得好好...

  • 泰念真 3小时前 :

    7/10.

  • 桂月 5小时前 :

    扣曼演得实在太好了,浑然天成,毫无表演痕迹。

  • 阚灵秀 9小时前 :

    悬念十足,同时也懂得给观众留给遐想空间,不至于像《Drive My Car》那样过于直白。其次,也许Maggie本身也是一个演员的缘故,里面演员的神情、状态、感觉都比较细腻,令人深刻。电影给了一个不一样的“坏”母亲,赋予了不一样的可能性。PS:因为是同一个作者,里面Nina和Elena不自然由想起了那不勒斯的四部曲的宇宙(笑)。 / 2022.6.11 家

  • 舒绿竹 8小时前 :

    各种意义上的现实为客而自恃为主,秩序的扰乱者正是秩序的制定者。救助行动看似为了疗愈,实则是有心无聊的玩笑与挑战。是一种勇敢的不完美的女性主体的书写,对女性的身体性被母职与年龄所束缚的焦虑与反抗,对男性年轻肉体的殷羡与求而不得的嫉恨,对自我情欲的主导和把控,至于是否有“我不是一个好母亲”的愧疚与羞耻,应该说当成年女儿的形象全片缺失时,和结尾的回归,这已然表明是一种常态的妥协。一场旅途并非为了母女关系的试图修复且再次被刺伤,而是“懒惰又自私”的自我锚定。削出的果皮,和洋娃娃嘴里的秽物是无法切割的衔尾蛇。丨女人一眼就能分辨出亲疏,而那种谨慎的观察并非内疚,而是不解。丨金棕榈最佳剧本。

  • 牵文翰 1小时前 :

    谁说母亲一定要伟大?最直击心灵的一段是Olivia Colman与小年轻进餐,不自觉地散发着自己的魅力,说了关于女儿的很多细节,这顿晚餐也吃得心旌摇荡惹人遐想;转过头来却让她撞破小年轻与年轻母亲的幽会,啊,毕竟是年轻青春的吸引。那一刻Olivia Colman仓皇逃离,她与自己的年轻版本面对面了,而更难说出口的是失落与恼怒。节奏与悬念都处理得很好。

  • 辰振 3小时前 :

    费兰特同名小说改编,主题依然是女性困境,悬疑戏份过于抢眼反而影响了主题的传达(很怕女主被那一家人暴揍),总体看下来一般般,应该小说会更细腻和透彻一些,期待看到小说的中文出版。

  • 龙恨蕊 1小时前 :

    “雨很大,像天在哭,雨一直下,像我的悲哀,好朋友要走了,留下我一个人。”两位主角,谭志刚在拍摄完后不久便在车祸中丧生,而颜正国,后来也因为各种罪名入狱,少年吔,安啦!罗大佑和林强太帅。

  • 谷雅娴 8小时前 :

    《皇后大道东》在本片燃到了沸点,瞬间热泪盈眶,林强和罗大佑那时的模样简直带着灵性,太吸引人!!!我捷哥永远那么帅😭😭😭

  • 练曼安 1小时前 :

    结尾解释了前面所有的混沌,意味深长的结尾。里面铿锵有力的插曲仿佛也像是一只有力的大手想要安抚迷茫的少年……

  • 锦花 5小时前 :

    谭志刚93年车祸去世才18岁,颜正国多次犯罪入狱...比影片更无奈的现实。

  • 逄以晴 5小时前 :

    这题材我没兴趣,估计有孩子的会体会更深,但是电影是好电影

  • 潭晗琴 6小时前 :

    奧莉薇婭·科曼和潔希·巴克利就是適合演這種個性卓絕的角色,再加上全身本就帶著怪異特質的梅姬·葛倫霍來導演,如此風格迴異的電影就順勢而生了。

  • 琴秀逸 9小时前 :

    同届威尼斯的这部更配《平行母亲》的片名。多种母性具象在不同时空 平行剪辑中形成对照,娃娃-红杏出墙的欢愉;观影-罔顾家室的独食;水蛭-偷欢后的负作用;松果-遭遇惩戒的痛楚……隐喻借代一一对应女主内心对曾经迷失母性的内疚和愧对。梦魇往事主题的电影做不出特定的花样就不好看了,不过很显主角的演技,《算牌人》是这样,这部也一样。

  • 昔雨筠 9小时前 :

    结尾解释了前面所有的混沌,意味深长的结尾。里面铿锵有力的插曲仿佛也像是一只有力的大手想要安抚迷茫的少年……

  • 褒夏容 0小时前 :

    真女性电影呢,表现女性在成为母亲后,面对熊孩子时“暴而走之”的情绪,这才是人性的真实,正常人是可以被母性克制的,但是这就是不应该被说出来的邪恶吗,所谓虎毒不食子~~~哎呦喂,我站着说话不腰疼,但是也许经常冒出想啃了拉倒想法的母亲也真的可以理解。

  • 管妙晴 5小时前 :

    哪些是真的哪些不是呢?看得我满脑子疑问。做母亲的复杂啊。想起了Alice Munro的某些短篇。

  • 绍朝旭 1小时前 :

    去海边度假的大学教授奥利维亚科尔曼在海滩上遇见达科塔约翰逊母女俩,不由得想起年轻时自己抛弃女儿离家出走的往事。

  • 解英逸 3小时前 :

    [3.5/5.0] 杜篤之,廖慶松,洪興文。

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