Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
星星给很努力的搜妹下下和各位声优。前半担心后期票房，后半觉得嘿没事咱靠剧情，至少咱只靠剧情也能行，哪怕每个镜头五条都长得不一样。马趴，把完美主义打趴。
蛮好看的，最想了解的就是传说中的乙骨犹太，画面，氛围，感觉都有达到期待，只是剧情稍微有点在期待以下，想说他们的故事会更凄美感人，剧情主轴反而变成了里香多么可怕，而不是更注重于他们两个的感情，这点稍微可惜了点，但整体来说都还不错。从入学开始与真希和狗卷一起作战并建立关系挺不错的，只是少了熊猫有点可惜。战斗画面激烈但是没有比剧集华丽，还看到很多人物很开心，最后的彩蛋让我更期待下一季 ！
还是希望5t戏份再多些 ps为啥只能下到tc版
没看过剧集，但论电影，充分说明了，社会化初期，第一个关键人的影响作用。
看完之后只有一句话：他好爱他！！！！TAT
有些台词有点the f*ck?的那种好笑&BGM(好听但是)有些用力过头 节奏也零碎 夏油那个百鬼夜行吧更是雷声大雨点小... 据说是完美还原原作 那就也没啥好批评的了 总体OK打发时间看看挺好的不过没必要IMAX 上下左右都有黑边(((
roast duck
朴性厚和芥见下々真是绝配 这东一榔头西一棒槌的视角切换 这高潮不了几分钟就突然养胃的叙事节奏 仿佛又回到看上一季巨人马莱战打着打着节奏一崩角色仿佛都掉线了的噩梦 换成别的导演还真没办法把芥见下々零零落落的故事完美翻译成零零落落的电影…
忠实还原了原作，mappa一如既往的完美打斗。整体电影节奏不好不是制作的问题，是作者在初期还不成熟，而我们先看了虎杖一代的故事再看0的话，是看了成熟的再看青涩时的作者。
赶了末班车看完了。总觉得缺点什么所以四星。看完站定乙棘👍🏻
东堂葵 best friend!
狗卷爱好者狂喜！
对我来说3.5。今天去northgate看，感觉imax 还是真的撑不起来
动作戏燃，剧情很充实，情感渲染ok，正传的部分人物都出现了。
纯爱战神帅啊2333mappa打戏做得真不错。就是说悟和杰真是意难平T_T漫画好像没有两个人的回忆来着，电影居然把那个街道分别的镜头插入了（爆哭
可真失礼，我们是纯爱，哇，我想知道，后来呢，理香真的走了？
自己说自己纯爱哈哈哈哈哈哈。就略低于预期。不过有的看就不错了。
3/20/2022 日本动画电影在美国真的很有市场。没看过漫画也没看过剧版，但不影响理解电影情节。中二热血又感人，连反派都是理想主义者的世界真可爱啊。除了Yuta入学时的对话过于日漫套路，后面都还不错，中二感和谐融入情节。推荐在大屏幕上看动画电影，在画面上是有巨大优势的。//正在看，居然很多人看。
《纯 爱 战 神》 狗卷学长我永远爱你呜呜呜
Watched with Ursin and later we went to docklands to have a tour in our new apartment. I like animation so creative
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