To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
黑了一把政府的味道，新人的表现很在线，印象中日本黑片都是靠老人撑起气场的。结尾看到狼那段没明白意思
桃李造型演技🉑️，剧情不太🉑️，乱，作为第二部交代的很不清楚
有点文艺感的犯罪题材，有些漏洞，不过整体的感觉不错。
7分 部分动作的血腥设计的不错 但除此外不如第一集 有没有役所广司还是有差距的
勉强4星半，照上部差点事，不过也很不错啦，上林是真猛，演员挑的好
还不错呀，没想象中差，可能是松坂桃李太帅了吧╮( •́ω•̀ )╭
没想到还能出续集，顺便两部一起看了，日冈警官还是不够老练，吃了很多亏
又是可以归入模仿《杀人回忆》的国产悬疑片系列，但社会和时代被淡化了，突出的是个体选择及身份认同。
节奏太慢，其实剧情还行。。尤其是日系小姐姐。。哈哈哈哈。。
很耐心地讲了一个故事，可惜人物深度不够，尤其是主角
为什么要用人石黑一雄小说的名字啊，明明一点关系都没有…
警察队长调查土枪，被击倒，画像师开枪俘获枪匪；
剧情有点拉胯 但是铃木演的真好 甚至希望他把那个日冈警察打死😂最后居然没干过带着手铐的日冈我表示很疑惑………
第二部一直以为boss是黑社会，结果好像完全相反。。。全篇看了比较压抑，男主一直被牵着鼻子走，最后发现自己也变成了棋子。
美术和石黑一雄拯救了您这么无聊的故事和表演
画质不错，罗生门剧情运用很巧妙
最後玩起來肉體消滅這一套就沒意思了139min
大概会留下一些铃木亮平PTSD…上林这个角色的去人性化进程完成得差不多了，而日冈某种程度上也确实比第一部level up了。比起前作确实有气势上的差距，但日冈的处境某种程度上也有符合这种落差的悲凉感。以及，西野七濑另我出戏…
就大林子这种精神病型yakuza，通常活不过三集，怎么会作威作福至此，他手下每个人都有责任，暗地里给他一枪什么都解决了，也不用承受如此巨大的职场压力
难得的时代背景下的悬疑侦探片，虚实间的场景转换是亮点，那个压抑的时代氛围也不错。变态杀手:谁离开这就的死！倒是符合当下。
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