You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
成年亚当安慰母亲那段看哭了。父亲走后，大家都顾着安慰12岁的亚当，谁记得母亲失去了她唯一的依靠呢？其实这片核心是亲情，如果当做科幻片看就会觉得bug到处是。我个人挺喜欢二次穿越的设计的，只是导演玩脱了，节奏和剧本应该多打磨的。
看得又哭又笑，亲情爱情都太好了吧！我不要大脑，我就喜欢爆米花爽片。亚当的嘴贱一看就源自老爸，所以谁也别嫌谁
浪费了一批好演员，这个本子是怎么通过市场评估的，这种放在70年代都略显保守，毫无出彩的剧本，居然还可以拍出来。经历了回到未来、终结者、黑洞频率和复仇者联盟4等一些列各种各样的穿越电影后，居然还有这么简单的文本，这么简单直给的穿越时空。别浪费时间了！
坏人还是死于太多话了，所以才会有被害的一刻。
网飞流水线片，雷诺兹正在变成演什么都像死侍
带女儿去看的动画片，失去妈妈对四岁的小朋友来说果然是一件毁灭性的打击，看到萌鸡妈妈和宝宝分离小家伙哭的稀里哗啦
6.5分。整个就是商业科幻片流水账的产物，无论是故事，人物，桥段都太一般，看得完全提不起劲。各种特效都让给了飞行部分，勉强过得去，但也就这样了。没有惊喜，没有感动，没有意外，就这么平淡开始平淡结束，实在是没意思呢。说起来RR自从演了死侍，怎么什么角色都一股死侍的话痨味道啊，这么下去要被定型了哎？？
不会有什么期待的故事，既然是轻喜剧，那就既没有恶搞的纯粹彻底，也没有科幻动作的惊险刺激，就是冲着演员们脸熟随便看看。
豆瓣评分这么低是有原因的……男主这话痨症美国人可能很喜欢，我怎么也爱不起来.
猫咪有点吓人 全片觉得最有视觉冲击力的就是火车上的行李箱了
不难看，但也就这样。面面俱到，亲情爱情兄弟情，科幻打斗搞笑冒险，什么都有一点，而且也说完整，什么观众都能找到自己有兴趣的。但每个方面都只是点到为止，看过同类作品的就会觉得『就这？！』。相当标准的工业化电影。
懒得评价奈飞大数据制作的流水线产品和瑞安雷诺兹舒适区内的流水线角色。《回到未来》快四十年了，讲穿越都比它有逻辑。
比《失控玩家》要好，起码剧本是一气呵成的。内核其实很温暖，它本质上也是部家庭电影，教导不同年龄段的人该如何面对亲人的离世，即使这种温情戏码又稍显烂俗，但还是那句老话，人人都嫌弃Netflix，没了Netflix，可能还真没有人搞原创科幻了。
出乎意料地好，编剧水平超过95%以上投喂给成年人的国产电影。
故事线稀碎。既不够科幻也不够温情，话痨式输出终于要审美疲劳了。
死侍给绿巨人当儿子啦 别说仨人最后投球那点还挺感人是怎么回事
瑞安日常死侍，星战梗再就业，故事简单俗套，轻松愉快，温情尚可，节奏稍快，缺乏惊喜，反派弱智，结尾牵强，更想听瑞安和绿巨人多怼几句骚话
漫威再就业卡司，RR这几年的角色仿佛都在做复制粘贴
小旋风天天不错，他出现之前的剧情都比较一般，中间开始还不错，我问我崽好看不，他没有一部动画片电影觉得不好看的😂😂
网飞的爆米花爱情家庭超级英雄片 三星半 可以看看
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