A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
灾难片却能用喜剧去消解灾难，简单又完整，实在也不贪心，这不比同期的峰暴香？
这警察和消防过于废物
楼顶碰碰车，祖传木凳叫花鸡，中秋给家送月饼，见面一声叔叔好，Yellow Submarine；土味反科学的灾难喜剧，市井人情挺好看
看的过程中真的热血沸腾，中间有些片段真的让人气的牙痒，但是所幸没有辜负他们的付出，就像电影里说的那样，“你说天就是黑的，凭我们亮不起来，但是天总会亮的。”民族气节出来了！从古至今，我们在禁du的道路上付出了太多，也牺牲了太多，足以证明国家对此的重视，拒绝du品，是我们义不容辞的责任！
剧本的故事真的是太弱了，典型的流水线产品。
定位模糊的災難喜劇片，特效有些粗糙。劇情設定也很難有帶入感，比較難有共鳴
所有人都特别聒噪，一直在大吼大叫，难道是顶楼番外篇
韩国最会开车的男人是谁，李光洙啊！难道是我？
居然有一天能把灾难和喜剧两个tag放在一起，随便看看还是挺不错的。
灾难片却能用喜剧去消解灾难，简单又完整，实在也不贪心，这不比同期的峰暴香？
3、这高楼用的桩基础，桩基会进行试桩验算承载力，设计时会加一个安全系数，也就是说就算下面有溶洞，上面的持力层也能承受整个房屋重量，使房子不下沉
④片尾有房车广告嫌疑，在首尔别买房子了
他们想要告诉全世界韩国人是最会“搞笑”的。
一般般的灾难片，不带脑子可以看看，一些生活中笑料还行，苦逼的中年大叔，兼职多到数不清，干死成功的买房科长，为了家庭爱好只有一个摇椅。首尔的房价也是傲视全球的存在。
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本来以为是个跟《隧道》一样的靠灾难反讽社会的片子，没想到还是个正能量片子。
有点蛇头鼠尾,莫名就死去的小男孩,还有群体在地下500米就是为了搞笑的,总之不推荐.(我因为李光诛才看得本片)
为什么一个灾难片拍得这么好笑 但是实在太扯了啊
电影大部分内容都是打斗，一个人在楼梯口打趴一群拿着刀的过于离谱。剧情太烂了，反转也很生硬，浪费了这么好的电影题材。
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