Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
配音都变了，看完只觉得低幼，我的童年回不去了……
不错，比预期的平庸还要糟糕。劳模姐完全有底气对自己的表演更自信些，去掉两颊赘余的特效化妆，放开了演会自然得多。截取几十载人生中自以为的大事件，串联一生故事的做法一来可能取材不当，抓不住重点，二来确实老气了。出嫁前她虔诚相信主的力量；出嫁后她在丈夫身后扮演木偶，找不到自己；发掘天赋，大搞事业后迷失在名利场；同妻身份使她性欲得不到满足，又掉进了一个不忠的漩涡里。由上帝到丈夫和金钱，最终转投自身，这本该是一个女人在信仰转变中寻找自我的故事，却急于向奖项谄媚，既无冷眼也无怜悯，毫无感情的温度。
我们作为人的贪婪本性在这部电影里，一览无余。
劳模姐的演技很好，但是电影拍得够莫名。加菲尔德好像还没有从倒数时刻里走出来。奥斯卡最佳女主角可以提名，但是拿不下来。好吧，拿下来了。
作为传记片其实很平淡，大起大落的人生故事大家已经看得太多。多一星给劳模姐。宗教题材好像并不受学院待见。
题材是有东西挖的，但剧本实在太烂，还不如拍纪录片。
用乐观的态度信仰上帝，但也因为如此强烈的信仰而以被动的态度面对生活和处理问题。从塔米·菲的故事里可以明显地看出，上帝的子民们更愿意相信爱的力量，而非偏见和仇恨，上帝爱的正是你本来的样子。
果然哆啦A梦是启蒙所有科幻片的教父啊哈哈哈！
传教界的张庭林瑞阳，题材值得拍，但没拍好。
劳模姐的表演绝对值得一座小金人，在这部电影里，你完全找不出她在以往作品的表演痕迹，一点都找不出。再加上出色的特效妆，我真的会恍惚这个到底是Jessica还是Tammy。
这个系列现在最瓶颈的是，凡是看过的人，都能在过程中想到更合适，更有趣的未来道具使用方法，天真不是缺点，鸡肋的是创意的枯竭。
别扭的喜剧感与小丑化人物后，很难让人在后半程感到触动。
恭喜劳模终获小金人！电影又是阿美利卡的自我感动，幼儿园作业一般平白稚气。
妆发和男女主的演技都一流，但故事欠缺深度，属于那个年代的🇺🇸美国
真的挺好看的。老少咸宜，小孩子不会看不懂，大人不觉得太幼稚。
you know, there is something, what if you cannot have the faith, you couldn't consist.
特别喜欢tammy faye对LGBT群体真正的爱h和认可，不是作为社交货币，和人设更无关。无私的发自内心深处的情感流动非常打动人。
国语配音是真不行，尖锐刺耳；且整体音效也尖锐刺耳；
看电影迟到，就像我迟到的过六一，逝去的童年……
在Jessica一票强势的女性角色里这个表演确实耳目一新，即便有化妆加成依然看得出难度之高。但很遗憾剧作上的时间跨度太大，又没有轻重地给人物大事件发力，导致片子沦为一笔流水账，也没法对这个争议人物共情，唉
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