Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
陈养鱼的番外篇，但我觉得忙事业没啥要指摘的，每个阶段中心不一样吧
最后哭的稀里哗啦 但是没有甜的感觉了
豆瓣评分，看看就得了。
好PPT的电影啊，上映之前的宣传短视频都感觉挺不错的，没想到正片是短视频的拼凑，有点失望
看过《演员请就位》以后，看孙千和“大姨”张海宇CP怎么这么不习惯啊哈哈哈哈哈😂
3.5 意外觉得不错，虽然电视剧质感强烈，感受到的气息是真挚的，被触到了
感觉片名应该叫＂宠物情缘＂。男主不帅，作为颜狗，片中糖多不甜，也get不到CP感。还行，很暖。白昊天找到男朋友了，虽然没有吴邪帅，但心愿达成，给小白点个赞。片中有首女声插曲，是抿嘴唱歌吗，有点违和。
去之前很担心会踩国产爱情片的雷，看完后观感还是非常不错，音乐配得都很到位，某些台词有点棒读。
浮皮潦草的编剧，失去重力的表达，还不像《爱情神话》一样充满趣味的体验。大部分的关系表面上看起来是这样，但内在一定需要更深刻的认识。两个人合不合适，原因在根源上。跨年夜看人吵架，我干啥呢？这故事毫不深入，像一篇10w+在太空里飘着，可是真实的生活时时刻刻都有9.8的重力拉扯你，这俩人首先不了解自己，不了解生活，所以想不明白到底要不要在一起要不要分开。唯一可取的是分手后女主在重庆和妈妈的对话以及自我成长，对隧道的恐惧要自我克服，依赖谁就是把谁拉进了深渊。免费看俩小时的毛晓彤我也不亏，演技一般可灵气逼人。2021年最后一部电影，沉重感像我的2021。
两位北漂一族的爱情故事，以年为单位，从热恋到矛盾争吵，再到分道扬镳。故事很细腻真实，帝都巨大的工作和生活压力下，不再是“过”生活，而是被生活给“过”，爱情的样子还在，但爱情的感觉被迷失了，到最终才明白所有的物质、所有的面子都不是爱情的答案和目标，而陪伴和理解才是。以年为单位的陪伴，看尽人生的一个个奇迹，牵着对方的手走过每一段路，聚沙成塔终成白头偕老。
看起来非常不真实，但真实的确实吵架的时候。
太特么的难看了卧槽，这是我今年看过的最难看的电影
3分给女主，男主太老了，再怎么化妆也没有少年感
没啥看头...
p.s.希望自己也能遇上能一起过日子的那个她。
好无聊…就那鸡毛蒜皮的事儿，一谈恋爱都变负担了，害。
电影就是电影 失去了哪里能用失物招领找回呢，不过歌很好听～
最后的结局虽然让人热泪盈眶，但总觉得还是牵强了些。
20210102 | MC山水湾（长沙）| 与芊芊
怎么说呢？就是看到狗，会觉得结尾会死，看到玻璃玩具，结尾会碎，在一起的很简单，在一起那些事情很模式，两个人都没有什么责任感和体谅心，大家喊着要分手的时候我就想快分手吧，我不想你们在一起啊，唯一好的事情就是两个演员能看见去，但是再久点就不行了，充分证明了，中国大部分爱情片还是停留在CP感上。
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