The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
挺紧凑的特种部队谍战片。战术动作到位，军迷一本满足
背后是谁？不重要
No.2500 故事可以是个好故事，但这部电影讲得也太简单了。而且就凭一个农家院里的十几个人，就能干这么大一票了？
铺垫过长且无聊，很多前后穿插的镜头实际又没什么意义。剧情中间突兀的转折也没给一个很好的解释，就让观众非常迷茫。
PPS:这片出彩的头功应该是……那个声
这几年的电影因为COVID-19的原因？逻辑呢！是制片方认为观众智力会下降，还是他们比以前更蠢了。BTW Chris Pine显老很多，停车场楼顶的对白能+1星
It‘s the job.Unitl we go home.
太过一般，有些地方连接觉得莫名其妙。总觉得佩恩的选片有问题，没有什么大作。
背后是谁？不重要
要动作场面没动作场面，要剧情没剧情，要啥没啥，我咋就这么闲的看完了呢
剧情非常生硬，漏洞很多，战术动作也多不合常理。但剧中主角浓浓的悲伤，贯穿全片，氛围还是渲染的不错的。
一星给男主演技，二星给枪战现场布置，三星给影射的现实
可以当作印度版的“白宫沦陷”。节奏很快，尺度很大，科技战狼，我国要是能出这样电影就好了！还有情节同《纸钞屋》。吐槽，印度的超级士兵也需要光刻机才行啊，最后收尾仓促且离谱，只为大团圆结局。
什么鬼？乱七八糟的，除了打斗以外逻辑呢？剧情有硬伤，枪战来凑。
派老师间隔一周两部作品真是加量不加价，承包商确实比高0.1分的宝刀未老好看很多。典型到家的美式英雄主义，略逊于同模式的生死狙击。柏林下水道战有点特工片味道，片子也高强度反映了退伍老兵的生活，提了嘴病毒。派的演技是最强看点，和本的反应依旧相当不赖。总的来说，从演员到故事都是及格线往上的下饭片。
Everybody's Talking About Jamie
剧情老套，衔接莫名其妙，动作场面也没有特别，不知道看了啥。
半夜睡不着看的，真的是可惜了这么帅的男主，剧本在三十年前都可以说老套。
Witness the rise of an army soldier as he realize's his destiny and comes to terms to becoming India's first super soldier created to combat terrorists as he fights his inner demons and outer enemies
典型爽文情节 但我就吃这一套哈哈哈哈哈哈
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