Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
图一乐。算是合格的网络大电影，虽然好多地方难免网大的套路。但是苏文兴独白那一段，感觉还是挺有创意的。
无聊的时候看的，轻松点，没什么压力。回忆起了年初追赘婿的时候，也是开心的时光，这种剧也不需要啥脑子，有些亮点还是让人会心一笑的
拍摄手法传统，内容却富有颠覆性，看来梵蒂冈神棍们的口味也不是一成不变的
还不错哦 完全意料之外 看到最后有点感动哭了 就是男主角真的不是很适合演男主角 偶像剧颜值还是很重要的
每次看这种网大都会产生‘我上我也行’的感觉
有的地方有点笑点，但是看下来又差点意思，差评也不是，好评也不是
期望值不高，作为网络爽剧，人物性格和剧情都不错，为我迎来了欢快的一上午心情，好评！
6/10嗯，整体来说其实挺扯挺无聊的，拍的很抓马，虽然是很严肃的驱魔片，但莫名的喜感，前半部分好于后半部分，后边有点过于放飞了，妥妥变成了丧尸片，觉得挺有意思的是反向驱魔的设定，看了这么多驱魔电影，也是头一次见一个恶魔对着一个牧师驱上帝的，哈哈哈，虽然挺有趣，但是真的还挺搞笑的。
鬼搞的很恶心的造型而不是恐怖，故事有点俗套，一贯宗教信仰的结局。
前面还可以，后半段乱七八糟的，七里扯到八里！
挣钱嘛，不寒碜。剧2就别拍了，省下人工和费用搞庆余年2吧。
day1，day2，two thousand hours later，这……也是学布达佩斯大饭店嘛。
继《赘婿》以后，电影版的出现也为影迷带来一波福利，有搞笑，有深情，有戏虐，有悬念，作为一个番外网剧电影，它的创新之处就在于能够带给观众回忆，并且在剧本上，前半部分扎实稳打，但在后面结尾处草草结尾，着实有些唐突了，但是欢影之后，就相当于看一个乐子哈哈。但是不得不说，虽然没有所谓的镜头设计，但是在故事情节上确实下了功夫，也不低于电视剧，在同类型的网剧IP中确实不错，愿意花两个小时时间去看一场这样的电影，演员的演技都在线，虽然年轻，总体来说给个7分，更期待《赘婿》第二部了
吉吉国王做主角，哈哈哈哈就可以了(≧∇≦)
故事是有感染力的，神父的愧疚跟不安展现得非常好。画面其实可以更大胆更放开一点，驱魔的过程有点可笑，完全就是神经病一般的乱吼乱叫。
就是大杂烩恶搞，制作水平潦草，看在搞笑的份上三星
作为番外型网大还是很有诚意了，还给第二季预热和做铺垫，看见剧里的角色一个个登场真的很有惊喜感。并且这部电影也太有梗了吧哈哈哈哈哈
系列番外还是要看的，大嘴猴还是那么搞笑啊，抱得美人归
逻辑上令人费解，只能靠着人物设定试图理解他们要做什么，驱魔场面拍得很荒唐，看得让人犯困，唯一的新意在于神父与恶魔角色的调转，不过种种表现方法都和这个逻辑一样的苍白和莫名其妙。
思路上有几处亮点，一些魔鬼的造型也有新意。
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