Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这个评分这么低？不可思议，被朋友安利到，刚看完，哭的稀里哗啦，民间故事结合鬼怪力神剖析人性，看到最后才反转的好片子
本来想给四星 可是女主太白莲花加绿茶了 居然背后捅刀我的漂亮女二～这讨厌的性格我直接给三星😂😂导演拍的很不错
想起来了，这女巫不是pinkman的女友吗
某种汉赛尔和格莱特，糖果屋那一段有点飞，很可爱的小品故事！
刚看完，在恐怖片里还算是不错的，到最后水猴子救孩子那里很感人。
平庸的儿童向“恐怖片”，看不到一半就看不下去了，一眼望到底的剧情实在无聊，看了下剧透帖，果不其然的结局～
披着恐怖皮的温情片，加入了一些黑暗童话元素（糖果屋ptsd了）
哈哈哈全片都蛮好笑的，把两个男主看成闹别扭的情侣就没有违和感了。
有些片段相当唯美，双人舞超带感。喜欢大使女儿的角色和演员，把优雅痛苦表现的非常好。美国妞瞪着眼张着鼻孔的样子可以忽略。
这部评分低但是还可以 适合小孩子看 暗黑童话题材，小演员的演技都不错，夜光苗圃的镰刀骷髅头挺有意思，望不到尽头的图书室也挺让人向往 魔女好美..！会吃人的巫婆 虽然故事情节老套 但是没那么无聊。觉得这部电影同时也在告诉小朋友不要轻易的去否定自己，从而放弃自己的梦想爱好👌🏻
如果是货真价实的恐怖片从头到尾讲故事就好了
女巫题材，故事非常儿童化，也就是靠两个小演员的表演撑起整部电影。
一星给两个主演美丽的脸（）看完全片真的会觉得几分钟的cp剪辑赢了
A happy family is more important than a happy ending.
浪费我一个多小时，很简单的民间奇谭，就是要拍的硬伤一大堆，也不要说什么小成本了，七八十年代邵氏的恐怖片也能把故事讲的很好，电影好不好从来都不是靠特效的，剧本硬伤一堆。
聚焦种族矛盾、左右政治割裂（历史正确和政治正确）主题，讽刺和搞笑混为一体，净睁着眼说些大实话。几段车战拍得挺惊心动魄，真实感很强，尤其是身体分离的片段，又恶心又恐怖又能把喜剧氛围拉满。
还可以吧，剧情比较顺畅，在网大里水平算是高的了。
[视]导演<魔童>，双儿童主演，黑人女主颜低，吵闹式悚叫。鬼面蛛，时装女巫，糖果克苏鲁。戴眼镜男主老摸额头，总怕摸出一条闪电状的疤
昨天刚重看了第一部，至少第一部剧情紧凑，完整度高。第二部什么鬼，色调和音效是悬疑剧情的加分项，不是通篇不管剧情，换上色调和音效就是悬疑片，恐怖片了。再说剧情，导演想讲很多东西，1，很多地方逻辑性不强，2，很多地方也没讲清楚，我真想说什么玩意。那个记者是谁？开篇讲找那个记者弟弟，到最后又变成幼年失忆后潜意识里留存的寻找弟弟；女主亲弟弟（水鬼）为什么会生活在水里？记者是怎么死的？是镇长杀的还是水鬼杀的，还是镇长指挥水鬼杀的？还有很多地方，懒得说了。主线剧情部分为什么还非得让观众去猜？？
kids推🧙🏻♀️进锅炉我真的是xsl哈哈哈
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