IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
《王者制造》止步于上述——笼统且老生常谈的政治理解，但其前中期却做出了立场选择的假动作。挑出这对特别的政客和影子，实行对立感强烈的叙事策略，而关于那些口号的实质所指却没有任何具体且坚定的憧憬或判断。如何从中看出实切的“理想主义”？
选题特别好。目的正义和手段正义纠结。政客恰恰又是在两者之间摇摆的特殊人群。没有理想和情怀做不了政客，只能做造王者，没有卑劣的手段，也当不了政客，毕竟在污泥谭里打滚，没点偏方无法立足。
选了一个非常规的角度，但故事线的设置冲淡了整体剧本节奏起伏，影帝配置的演员也只能说在完成作业。手法是成熟的，片子是平淡的。不功不过吧，但是对于这样的班底来说显然是低于预期了。
本以为是一招 公子献头
卑劣的理想主义者的哀歌，理想的实现只能是血泪吗？挺喜欢电影的诠释的，甚至还是很温情，画面色调和剪切也很高级。字幕组目前比较欠妥，观影还是比较遗憾。
政治是肮脏的玩意，尤其在韩国七、八十年代。所谓“正义”，永远属于赢者！
你不能把一位政治家刻画成傻白甜，你也不能把一名幕后军师刻画成一心想站在光明下的小镇青年，都太幼稚。
总体感觉上还是不及《南山的部长们》《铁雨》《特工》。
对手戏非常精彩，台词很蜿蜒，散发着一股子韭菜炒大肠般的杂味，很有玩味；世上最脏的是什么，除了政治，我想没有替代品…
通过这部电影开始了解邻居国度的政权更迭，看看旁人的世界，勿论是非。
男主让人想起郭嘉贾诩。电影本身节奏太慢，看的很困，远没有“南山的部长们”精彩。。。PS：金大中的竞选史在韩国影响力已经大到这个地步了么？
演技不错，可惜故事题材和背景很不感兴趣，看不下去
赵宇镇一句话四两拨千斤：你的主子一直被反对派称作“赤色分子”，那他有可能继续培养你这么一个脱北者吗？
我们只知道他们什么都敢拍，但我们不知道的是他们可以顺着这种自由会进行怎样的表达。全程都是目的论与过程论的竞合体，政治是一个不断进步的过程，同样也是一个不断沦陷的过程，但目的论的最终取胜终于将所有的理想主义归结到一种趋于梦境的聚会上…都说是《南山的部长》后最好的政治片，可这才几年，以一两年的跨度来标志着韩国政治片的分水岭是不是标准过低，而且把政治惊悚和政治上的糖水片放在一起对比似乎并不合适。以政客为叙事线索来进行理想主义的政治表达未免显得两条关于政治竞争的对比太过失真。视听语言上叠像使用（横幅、电视）以及转场方式上的相似蒙太奇衔接使用还是令人称道，但关于韩国电影工业化的夸赞似乎在当下已经并不必要了，那就再来夸一下薛景求的表演吧！
韩式工业化政治商业片，剧情流畅，水准在线，但是缺点也同样一目了然。徐昌大的角色形象无疑是成立的，但是对于他所坚持的手段作风，金云范和他的选举团队的反应却是前后不一的，知根知底却在关键时刻反对“演戏”，那不是虚伪即是虚假了。这种逻辑上的矛盾问题，暴露出的是剧本的欠缺打磨，铺垫不够，顺拐来凑，也直接损害了片尾那一番交心谈话的力量。
4.5星给感同身受。被倾其所有去爱和信任的人所鄙夷和不理解，是与他人连接中最大的痛苦。
依然是躲不过cliche的无聊政治小品
没有看到什么惊世骇俗的政治手腕，反倒更凸显角色们的情感纠葛
“政治是活的生物”，继《南山的部长们》《王者》《局内人》后又一部好看的政治片，爱！
演技不错，可惜故事题材和背景很不感兴趣，看不下去
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