Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
整体结构和导火线很像，就连反派三兄弟的配置都是一样的。几个群演拉垮点，其他还都不错，导演是香港龙虎武师一脉的，所以动作镜头是亮点。苗啊，努力会有机会的
瞎看看的，结果还行，谢苗怎么这么沧桑了。。。我对他的印象还停留在小娃娃的时候 😂😂
就是故事稍微有些平了。
穿着皮夹克外套的警察李红旗，有8、90年代那味儿，带劲儿，不错！
平铺直叙，情节简单，略有铺垫，但没有起伏。可打架是真挺狠的，重点原来在这里，所以还是加一颗星吧。
流浪的三毛他逆袭了，流浪的三毛他爱钱了，流浪的三毛他黑化了
其实挺好的 不过我就想钻牛角尖 那三兄弟之前都穷啥逼样了还能供得起三弟美国留学 而且就算能 没念上居然还能再美国混五年也是能人
网大的动作戏拍成这样确实挺意外的，但是非得来点不切实际的吗，你让谁下岗呢，小老百姓。
甄子丹曾经说：“如果杀破狼是部跑车 那导火线就是一部超级跑车！” 这片子很多设定都有导火线的影子，特别是低配版反派三兄弟，对于现在的动作片行情，谢苗值得鼓励！对比下来高低能算部小钢炮GTI！
最近看的网大都还不错哎，有那些假模假式的慢动作浪漫仙侠片好多了
哥们严重怀疑 犯罪都市2结尾的车戏是不是看的警察故事啊。
谢苗可以的，文戏武戏都能带观众入戏，真的超其他演员一截，每次看其他演员表演略感出戏的时候，都被他拉回来。
绝对合格的网大水平，基本就是借鉴了 导火线 的套路，打斗挺真实的，谢苗的块儿还差点儿，缺少点信服力～～～
故事简单，反派设定不是很在线，显得有点弱，小故事小表达吧
歹徒这么明目张胆 也是没谁了 躺着脸说要收过路费
2017年的东北怎么跟1997年前的香港一样，还搞黑社会。剧情几乎没有，全靠打戏征服，演员都挺卖力的。谢苗那个孩子也长成大人了，打的很不错！尤其是最后大巴车上的打戏。谢苗演的角色也挺潇洒利落，看着很像张晋。走这种痞帅英雄的路线挺好，可以出一个系列影片。3.5星绝对值得。
一念之差就错过一部不错的网大了。整体很不错，节奏也快，谢苗的眉毛是画的吧，😂
刚开始那三兄弟多牛逼，后来那么拉，就这智商？
相当不错，虽然谢苗一直在拍网络电影，但是大部分都很用心，个别电影还拍的还非常优秀。给我们说明一个道理：哪怕你没有最好的资源，也不妨碍你的认真和努力！
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