James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
麥卡夢露跟蹤專業戶 個人覺得這部要比偷窺者好
[20220623 下载]男主角觉得自己不能为女主角做什么,女主角也想不到男主角可以为她做什么,搬家啊,这么简单????
虽然都说剧情和设定的问题，但是我觉得电影渲染的氛围让观众很有带入感，还是有观看价值的。
身为女生的我感同身受
当然，这只是可能……
一定要找到那个肯无条件信任你的人
包豪斯般的冷漠世界，相互冲突的欲望与人性碰撞
剧本比较工整合格 但是主演演技不可 尤其女主太矫揉造作了 反而反派演得比较深入人心
满满的讽刺。妻子跟着老公来到他的家乡城市生活，陌生感孤独感和女性的第六感，让她感觉到自己身处危险，却一次次被忽视，甚至被老公和同事们当做笑谈。最后自救了的女主一身鲜血地望向老公的眼神，很真实了。
仿佛看到了许多当代女性的困境。加害者肆无忌惮，受害者小心翼翼
在平静的叙事中给了个体不少零星的意外感。
就是个女人怀疑自己被变态杀手跟踪，结果还真是的半恐怖故事，最后的结局还反杀的异常奇怪。分数高全因豆瓣傻卵女拳推高的
3.5吧，还算比较不错的，气氛营造的还可以
没想到的是，答案早就在最开始就揭晓，女主一直是对的，为什么就是不相信一个正常人的判断？
监视者怎么老演变态，可能是因为长得就真变态
麥卡夢露跟蹤專業戶 個人覺得這部要比偷窺者好
剧情设置故弄玄虚，又只能从故弄玄虚里往出找补，于是所谓内心戏，就显得意义不大了。
压抑的气氛做的很棒；专注了被凝视的感觉，其他的都被弱化了；这一枪太假了，如果女主挂了好一些，这样为了爽而爽反而不好；摄影可以更好点？
好拖沓的剧情 好奇怪的反杀 但，好准的第六感
老套的情節，老套的烘托氛圍方式，老套的反派臉。拜託，這麼一張全世界都應該會認為這是個典型的會犯罪的普男臉，怎麼丈夫就是不信啊。不過也沒錯的，男的就是不能共情，丈夫、警察、超市工作人員、沒有一個可以。
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