With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很多NBA球星客串，亚当桑德斯演的真好，埃尔南戈麦斯也是真的帅，爱德华兹演的真他妈坏。这绝对是部好电影。
相互成就，男一话唠，男二寡言，绝配哈哈哈。竞技体育真的可能让平淡生活掀起涟漪。
很带劲，不打篮球也不妨碍热血，机会定会给到有准备的人，桑德勒没和那个喜剧搭档罗伯斯奈德在一起出演，真的差一点感觉。
我看过的第1420部电影，《必胜球探》我给7.8分。
老詹制片，一群NBA群员在线打球，一群NBA老熟人客串，牌面很大啊！再晚拍一年76人就该有哈登出现了哈哈哈哈
COME ON，这种平凡小子逆袭NBA的故事难道还会不好看吗？！难道会有人不喜欢吗？！更何况，平凡不代表普通，逆袭就意味着曲折但成功。这种人见人爱，花见花开的故事，无论怎么拍都不会败的！
网飞竟然给出了近年最好的篮球励志电影，且不用说多少巨星真实出镜。重要的不是上一场比赛，而是下一场比赛。希望我能记住，希望你也能记住。
对于经常看NBA的人来说，这是讲有关一个人是如何选秀之前和选秀之后的生活。对于不经常看的，就当作一个奋斗的故事看就好。
电影里有一段印象很深刻：球探还来了CBA，估计考察的是中锋吧，结果那个大中锋屡次不中。
虽然没那么健康，但是又爽又快乐
作为一部励志体育电影，当然它的剧情是有套路的，但不妨碍仍然感人至深。更重要的是，它用一些小小的切入点，让我们知道优秀的体育联盟是如何运作的，有多少人在为之工作，而电影还只能非常简略地表达，斯坦利是联盟千千万万基层工作人员的缩影。所以我们自己的联赛要发展，还有很长很长的路要走
针对nba球迷，中规中矩，最大的乐趣是真实球员、解说、教练出演，描述了下选秀、训练的流程。爱德华兹把反派演得挺好。
找了一个合适的切口让更多人去了解一位NBA球员是如何炼成的，但就真的，一切尽在预料之中，可能还不如走《德鲁大叔》那种娱乐向的路数……唯一亮点真就是华子的表演呗……
太匠气了，到最后又变成了找各路客串球星的彩蛋电影，主要问题还是不够燃，唯一的惊喜在于华子演技也太好了吧！
还以为最后会致敬永远地24号呢
虽然挺商业挺模块化 也很流水线 但是双主角的聚焦 和现实的相映成趣 还是呈现了体育运动的精髓 阐述了燃和奋斗的概念 剧情还是不错的 伪纪录片式的手持镜头和NBA真实的素材拼接还是蛮有趣的
这题材很难拍难看吧 对于我就算拍成纪录片我都可以 老詹要是客串了就好了
作为励志体育电影，只能说不难看吧，总体上还是蛮套路的，运动员和星探助教之前的关系，还是比较老套的社会流民逆袭体坛新贵的套路，满脑子都是，教练我想打篮球，倒是戏里戏外很多地方很多有趣的地方。扮演励志男一号的埃尔南戈麦斯做梦也不会想到，自己篮坛最辉煌的一幕回来自于电影里面吧，现实中却如同破抹布一样被踢来踢去，而76人能够允许电影来黑他们，也是因为他们知道，一切的黑点都是指桑骂槐罢了，嘿嘿，半个篮坛的参与，有意思……
一部不错的体育电影，很励志，但是感觉电影节奏把握得不好，就好像俩人马上高潮了却一下被打断，然后最后自己撸了一发，虽然也完事了，但是总没有爽的感觉。
剧情虽然老套 但是运动带来了其他东西无法比拟的热情和荷尔蒙 一瞬间觉得好像有梦想就能励志就能成功 摸了摸身上的肥肉告诉自己我能瘦
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