The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
人美心善的女主和早发痴呆的宅男之间也挺温柔的。还是没看完。紧跟时事。
拍得不伦不类,多少有点自以为是了,结尾再扣一星,但立意是好的。“兔子”永远保有着一些敏感点,却永远不会想要做一个脱敏手术。这部电影于我而言是场糟糕的脱敏手术,但至少是种态度。
covid change the world,so sad.face to the death,the world became more cold.this movie beat the heart directly.so deeply.
那一句What if一旦落在自己身上
只能说,兴,百姓苦,亡,百姓苦
利物浦口音真滴上头啊hhh啾迪演技越来越好了!祝早日获得小金人!
Sarah中间在护理中心打电话的时候好无助
20220508 JC BAFTA三年两封
社会的弊病会在一次不可控的冲击下被迫丑陋地不得体地暴露出来。
这个是疫情以来第一部歪果仁有戴口罩的影视作品,这觉悟来来来,莎拉你会长命百岁的。
#不是数字,是一个个鲜活的生命啊
别国拍的东西在反思不足,我国拍的东西企图叫观众感恩戴德。永远讨厌宏大叙事,因为“人”会被忽略。永远可以对Jodie Comer的演技有信心,即使没有脸部出镜只有声音的那段,角色满满的焦虑都从屏幕里溢出来。但最后出走的情节真的有些跳脱。
曾经看似秩序井然的社会,在疫情的袭击下不堪一击,暴露出本就有的问题。逼仄狭小的护理院,扑面而来的压迫感和窒息感,面对生命的一个个离去,国家对其的置之不理,表面上说着“不会丢下他们,所有的生命都值得被尊重”,却在用实际行动表示着生命就是明码标价不平等的。在偌大的国家面前,个体的痛苦,对弱势群体的怜悯,对体制的质问……都显得微不足道,毫无意义,影片中时不时出现的HELP显得那样苍白无力。
前半小时跟拍女主进入疗养院,结识47岁便患有阿尔兹海默症的男主。
it is about helpless,not help.
【2021年第126部】很有意义的一部电影
导演的伟大不止在于抨击新冠疫情,还反映了弱势群体被冷漠抛弃的必然。
后半部分有点too much 但是我夫演得好
Sarah中间在护理中心打电话的时候好无助
其实电影的主题很简单 就是帮助 无论是国家政府还是个人都对他人缺乏关心 在善意礼貌之下是冷漠 特别是这种疫情灾难面前更能显示出现今社会人与人之间的漠不关心 充满着冰冷的规则
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