Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
为什么要让一个小孩言行举止cocky得像一个白男…
故事一般吧，只是能看到克里斯滕我还是很开心的~这妹子资源太差没几部片子可演了（掩面泪奔）
儿童故事也可以很有哲理，它显然不是。拼凑大于故事，是以电影支离破碎。
故事编的在网大中真的还可以啦，看到最后竟然有被感动到！弟弟还真中国版《水形物语》了😂
悬疑设计还行，氛围也渲染的不错，缺点是女主颜值不行，最后的水怪反杀的行为还是太随意了。不过网剧能到这水平的也真的不多。
规规矩矩的拍了个故事，有几个恐怖镜头但不恐怖，色调有了氛围没有，没有明显的坏处也没有啥优点吧（除了转拆靠一封信然后就知道真像这点很生硬外）
《城郊的另一边2》，不解为何要翻译成《耍宝警探》？基调还是延续第一部的轻松风格，案情推理较弱但笑点很多。奥玛希与罗兰拉斐特欢喜「斗嘴搭档」再度携手，十年之约众望所归。很多片段搞笑程度不输第一部（争抢老太太拥抱与大床房裸睡），且用经典的「法式幽默」对种族、肤色、性向与民粹等热门话题大肆调侃，令人忍俊不禁（这点也只有他们做得到）。我向来对这种所谓「老套的」法语动作喜剧毫无抵抗力，《城郊2》让我笑的很开心，这就够了。
Will of steel eyes set on north - that’s how stars come to be
有内味 色调完全不出戏，面具不错，但是演员不行，只有女主比较专注，细节应该再精致一点，镜头画面都可以的。剧情方面，出乎意料的丰富，是真的很好奇这种病。。在电影里求科普好像有点傻…
PG评级的儿童向恐怖片这视觉尺度也算不错了，概念也算清晰，最大亮点是Krysten Ritter的表演，就是故事上没有提供任何真正的惊喜。
虽然是儿童冒险片，但Ritter绝美，一直觉得她很适合各种艺术妆容，这可满足我了，之前总看她演各种爱情片类型，以后仍可挑战这种路线。
4/10 一眼看到结局，是一个不错的剧本杀剧情
前面恐怖氛围很到位，但实际没有什么恐怖情节，结局很感人
床戏放点音乐？恩佐法拉利车里为何不放收音机？因为喜欢听引擎的声音。 我成熟了，从野猫变成了孤狼。
我是来看美女贴贴，不是想看两人雌竞…而且kate也太bitch了点，从早期藏缎带到后来污名化m的伤口，我真想叫翠果跨洋过去打烂她的嘴。
“No happy endings”
一个渴望现实的成功，一个渴望精神的超脱。就像人类的双生面。立意深远，永远不要忘记追逐飞翔，坠落之后才是飞翔的开始。
二人搭档挺有意思的，虽然不搞笑，形势不错，案件内容也是一开始以为就普通贩毒杀人案，没想到小地方隐藏的恐怖主义，随后国家宣传片拍得不错。
人们只会相信它们看到的不顾一切去按自己认为的做。
悬疑到最后我都怀疑这到底是部什么片子了，妥妥的浪费两个小时
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