With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
一路打怪升级，一人灭了整个军队，这么牛咋还能被抓呢
动作喜剧商业大片。打这么低的分是歧视韩国。
5分… 太好笑了，一个女的打小一百号人，算了，看个热闹吧就
电影毁在剪辑和配乐上，不少场景没结束就切到另一场景，配乐和场景几乎不搭，使得原本就乱的动作戏更提不起气。韩孝珠造型像漫改，吻戏也像漫改。蔡秀彬像打酱油的，小身子骨哪上得了船。李光洙是唯一对得起海盗船的，没有他整部电影的故事都串不起来。
我觉得第二部比第一部好看，有《加勒比》的特效，有《海贼王》的情谊，有韩棒子的搞笑，还有男女主角的默契。韩孝周的气质更像个女海盗，动作设计也比第一部好。孙艺珍那张脸太精致，反倒不太符合女海盗的造型。两小时轻松欢乐，不知不觉就结束了！挺好看的片子。
画面和拍摄方式 让我想到了一些制作精良的非岛国电影 带着不需多想的剧情 太old shool了
5分… 太好笑了，一个女的打小一百号人，算了，看个热闹吧就
前几天看完忘了标了，开头以为是娇滴滴公主等待拯救，实际上是铁血女武神，是公主就打下一百层，整部电影除了Joey King一路杀人没有任何其他剧情。
不知道的以为又是哪款游戏的真人大电影…怎么会有这么流水账的剧情…🙄️
高开低走，难怪如此明显的3D效果最后选择了网络发行，动作设计不断重复，开场以女性角色占到的惊艳首发，迅速失去快感，主要演员的身手缺陷越来越明显。公主躲进澡盆的桥段翻版倩女幽魂，直接唤醒了对香港电影黄金时代女演员明艳动人的记忆，公主就会让大东亚区观众觉得，这姑娘实在不够好看。导演虽然算香蕉人，可英语似乎还不够好，人物塑造特别平庸造作，甚至有硬伤，反派质问手下“这是我问的吗？”ask只有非英语母语的人容易只当成“问”，而在英语环境里这词常用的含义是“请求”，这里恰当问句应该是换用名词question，不然英语观众反倒会产生歧义，理解不了这个梗，骄横跋扈的反派不会ask，只会tell
中世纪宫廷版女战狼。女主全程散发糙汉气质，不依靠任何智谋，硬是用武力灭了整个军队，光环更是亮瞎了眼。简单的故事框架，加之窜稀般的故事推进，90分钟看着就像半个小时的短片，看完啥都不记得。不过密集的打斗场面看着还是挺爽的，也有一些不错的动作编排，让它变得值得一看。
意外的还挺好看。打戏密集，虽然西方人的打戏都很笨重。胖子真的是搞笑担当。
童话一样的故事，城堡被攻陷，所有人被俘虏，除了公主，公主单枪匹马干掉所有人，节奏挺快，全是打戏，倒是不墨迹，但是打的太笨拙了，及格分
一路打，有点血腥，吴青芸的脸有一股英气，挺适合这个扮相
【主题/时代/背景】：6.2
女导演来拍会更好。。。结局还以为女主会直接登王位了呢，搞了半天还让这废物男国王来宣布女主有继承权？😅
中世纪女版《突袭》，封闭空间单人闯关游戏，只可惜投资上去了，但动作戏的水准下降了，不如《二凤》好看，乔伊金有点担不起来，飒爽的吴青芸这次只是配角，可惜可惜。
识人不清治国不行但买VIP专座看戏的国王和被掏空的城堡。
1、不用动脑的爆米花电影；2、棒子的片子真的是甩了国产几条街；3、李光洙的出现就是逗B的巅峰。6分。
典型的欧洲中世纪打斗风格，女主一路都很强，一人能灭一整个军队，最后直接干掉BOSS，剧情可以略过不看，因为猜都猜得到。
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