Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
总的来说，勉强能够及格，但片子还可以更好。
觉得这部电影没有野心
垃圾导演编排是非制造对立激化矛盾和不信任，这种垃圾导演才是同和异性恋最大的敌人。
笼罩在铁幕下的压抑与迫害，然而对自由的追求与对真爱的觉醒，让主人公勇敢地冲破了这一切，诚实地面对与做回自己。男一男二之间火花四射，CP感爆棚。开放式的结局保留了悬念，虽然灰暗的政治背景令人不容乐观，但爱与勇敢又不至于叫人全然绝望。 “做人不能什么都怕，尤其是害怕自由。”
整体剧情无聊，冲同性戏份看的，结果好几段男女亲热戏，大可不必
愿乌云压过来时我也仍能勇敢地捍卫自由 看完开始循环David Bowie的Warszawa
美国佬继续搞意识形态输出…不过昏黄压抑的前解体东欧风真的好看啊！
警察为案情进展假装同志，最后假戏真做，彻底告别直男，“父母之爱子，则为之计深远” ，男主有个好父母！
好像是人生中第一部波兰片 昏黄的色调看着很压抑 也符合波兰的国情 床戏拍的太有张力了 数一数二的一段 选角真的完美
没想到警察真的跟小帅上床了，看得我有一点激动，多加一颗星
當一個人感受到愛與自由的覺醒，任何事都無法阻礙他追尋自我的。從初見到結尾，兩位男主之間的情感人前婉轉細膩，私下大膽奔放，我想他們一定會在自由的國度再相遇。
如果你是不喜歡黑暗抑鬱題材的人，這部電影可能就不適合你看了，因為影片的氛圍和劇情讓人看完內心衝擊會有點深，感覺心情都變得低沉了。
初遇-"我觉得你应该要帮助我";
好看且压抑，今年唯一一部看完立马让我有补历史知识的电影
但我还是抱有一丝期望
当神枪手的必要条件是瘦小，一猫腰很难被打中。
其实 我们现在这个时代也没有多好...虽然没有暴力 但是歧视无处不在 冷漠也是
还好吧 同性恋就勇敢面对自己就好了 不要骗人
想起了《雷德尔上校》，在严密监控的体制内跨越雷池半步，各种fetish。
男主有丢丢像精灵王子 男二真是充满活力帅气十足
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