With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
后来莫比亚斯荣获诺贝尔奖，但他拒绝领奖。
蠻有新意的恐怖電影，過程中也有驚嚇點，可惜沒在大螢幕上看🥲
总结：混黑帮的圣母男主，害人害己，最后硬气了一把
说实话，看不懂要表达什么？原生家庭的不幸？异形生物的同化加取而代之？
韩国的网大电影吧。江湖情义人心难测血腥暴力爱恨情仇谋权夺位等等，你想看的，没一样出彩。
将一个人的性格割裂开来，两个人格此消彼长，最后单纯的白衣女孩被杀死，活下来的是不择手段的负面人格。故事隐喻挺有意思，但是完全没有必要拍的这么恶心…
看起来幸福美满的四口之家，却是母亲一手摆拍出来的，父亲懦弱，弟弟被忽视，妈妈的强势控制着家里的一切，而姐姐正在被妈妈塑造成另一个自己。有一天，姐姐捡到一个蛋，于是孵化出了一个意想不到的恶魔。片子用惊悚的方式，展示了家庭关系中真实可怕的一面，还有些重口味的元素，开放式的结尾带着遐想的后劲儿，整体来说还不错。6.8分
剧情单薄，画面略恶心...就我现在有点皮包骨恐惧症
脏活一直干却没地位小人物反叛上位的老套路，拍出来一点不热血，还不如改名叫九岩，不非得小说名字。剪辑上，剧情有点不通畅
两个帮派大佬孙佬和南会长争夺九岩控制权，本想斗智为主，斗勇为辅，没想到影岛帮的助手哲镇为了上位，四处挑拨还出昏招，杀了九岩派助手地头蛇熙修的继子，本来熙修只想做个有钱人，还能老婆继子热炕头，结果这下直接把熙修整成疯子，开始了毫无顾忌，人挡杀人，佛挡杀佛的战斗，最后反客为主一把鸿门宴，成为九岩大哥。我不理解的是，就算哲镇和熙修是30年的好友，也不能在杀了熙修的继子后，熙修都动手开始杀你了，你还留下熙修一命，还想合作一起称霸，你哪来的迷之自信？脑子秀逗了！再就是哲镇派人去杀孙佬，竟然没杀死只是昏迷，狗屎一样的行动！影片最后20分钟有看头，可惜上面之类的硬伤BUG挺要命，我是觉得不太行。我给3星6.3分，删掉！
我们都是一样的人，憎恨自己，却不羡慕别人。这样的人，要么坠入万丈深渊，要么一跃而上成为王者。
节奏不快不慢，剧情简单，整体还是值得一看的小语种电影。
我炒，是我看过【新世界】后，唯一让我震撼的黑帮电影，绝对6.7分低得太多了
怪不得评分这么低，真心的不好看，一个女孩把乌鸦蛋放到自己被窝，孵化，出来一个怪物，怪物最后变成女孩自己，女孩却死了，乱七八糟，谈不上恐怖，只是恶心。
可能看下来略显平淡 但是很多争斗是真的看不到硝烟跟血腥 正如男主女票说的 他的大半生一直都太“单纯”了
我觉得挺真实的，毕竟主角练过拳击，各方实力角逐中挺有优势的，虽然出手寥寥无几，但是说着方言（感觉上像）一脸的憨厚笑容，觉得很像生活中的小混混，而且也不是一开始就开挂，很多人非要拿新世界相比较，我觉得各有千秋吧，我不认为直接上位就算了，这部电影的宗旨不也是说底层小混混最终即使当上大哥也要一无所有孤独终老了，男主挺有感觉，男主的相好和阿眉演员选的也有特点，其余黄金配角也都完成度挺高的，没必要捧一踩一，新世界刚上映时候也都是一片吹毛求疵的质疑嘛
韩国拍了新世界的坏处，就是此后韩国黑帮片都免不了和新世界比一比。偶尔有台词能显出小说性。
平开低走，过于拖沓，还烂尾。
这是对标《江陵》吗？不争个你死我活不罢休，釜山口音依旧是亮点啊，仿佛成了帮派的特征之一。희수 结尾大开杀戒，竟然有种悲壮的美。
从马仔经历种种磨难，杀出重围，终于成就黑社会老大，却好似失去了一切意义！
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