"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
作为一个传记片，拍得太普通，明明这么热血的人生确拍得那么平铺直叙，没有情绪
比起摔爸洛奇这种运动片，这片更多地是延续了香港近几年关乎与写底层与人的关系之间的讨论。像是沦落人，一念无明这样的。关于残疾人自己的身份认同，家庭关系的段落，运动员的处境，以及中港关系的一些隐喻。
香港电影真的扫兴啊，连这样的真人传记类电影，都很难坚持看下去。——2021.10.21看完
每次看这种题材都很触动，他们比普通人付出更多努力才能发出那么一点点光让大家看到。
二十多年苏妈的脸没啥变化，张继聪的老年妆又很到位，所以这是啥设定。少年和青年两位演员真的很棒，新生代了不起，希望以后继续看到。还有老baby钱小豪又是出现在花絮时间长过正片……这次很遗憾影院没有排原声场次，哭泣。
但影片还是存在煽情略重的问题，虽然没那么刻意，但音乐铺得太满，技巧不够成熟。最爱的一句台词“同我条命一样，我就喺要喺后边追上嚟。”
2021.09.05 在大地影城和芋头一起观影
苏妈国语配音太出戏，人设也不讨人喜欢。剧情普通。
从爬到走再到跑的过程太顺滑了，还是希望看到一点克服障碍的桥段。
苏桦伟的经历本身已经很动人。虽然这部戏拍得soso。男主角演得蛮好的。当妈妈是一场终身修行。
标准式的传记片套路。足够独特的题材会让电影层次变得非常丰富，当如此丰富元素被一一展现出来的时候，传记片已经超越主要人物而变得更具有社会面了吧。而回到主要呈现的人物上，用个体间私人情感这个全人类的通感做为主要动力来推动剧情，具体发挥看下来是，用的贴切但并算不得顺畅。
港版阿甘终成苏神。令人震惊的是，这样一部正能量体育片竟颇有岁月神偷之遗风
三星半。很煽情但是拍成了流水账，全靠真实性和演员演技撑着。其实残障运动员真的很不容易，不管是训练还是待遇都难以支持，做残疾人的家属也真是很难。
鼓励分，香港拍了好多这种关怀残障人士的片子，这个是最没啥意思的啊
一年半后再回电影院，就为了神奇小子，果真没令我失望
吴君如让人一秒入戏，可惜这部电影的境遇恰如其分的诠释了残奥会的冷遇
马马虎虎，煽情太过。也许国语配音太糟了，张继聪真的未来可期呀！
根据真实事件改编，挺励志感人的一个故事。不搞笑的吴君如也很棒，男主演的很好。
全片笼罩在哀伤幽怨的氛围里，很多情节过渡较生硬。总觉得还差点意思。2021.09.06
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