The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
和新的我的立场上
如果妻子是克隆人,还能感受到一丝温情。苹果定制片,苹果设计理念大赏。
另一种诠释死亡的视角,但生命和精神的延续到底应该沿用那种方式?不是人能控制的,尊崇自然法则吧。片尾如果博士的新顾客是女主那意义或许提升两个档次。
简单的拍摄方式 却很有深度 阿里该拿奥斯卡最佳男主了
4. 吃巧克力那段,我也混淆了。
用一集黑镜的篇幅就足够讲完的黑镜故事,引人深思,但后劲不足
8.5
最后我会在自己的心里安息
brief
可能人类本身就是一种人工智能机器,肉体是硬件,基因是芯片,意识和记忆是储存卡。如果复制硬件,重新插入芯片和储存卡,那到底算是重生还是克隆??
Look at me in the eyes and tell me you love me.
看着珍爱的它们离去,却无能为力,这就是挽歌吧。
构思好,节奏慢,而且看上去有点故意慢。。。
知道过去的一切并不属于我
我并不认为人类可以被代替,如果我能在对方心里留下重量,死亡可怕吗?
一部化繁为简真挚动人的科幻家庭故事。马赫沙拉·阿里的表演就是这个片子的一切,所有的一眸一笑都是剧情本身,导演也是继《口吃》之后充分信任和发挥演员的肢体语言。故事本身其实比较浅显,情节量也不够,节奏过于缓慢,但也正是这样的呈现充分放大了马赫沙拉·阿里的影帝级别的表演。没有复杂的视听和狗血剧情,娓娓道来随风潜入夜一般告诉你该如何在死亡面前和家人好好告别。结尾那一声声我爱你,让我忍不住颤抖落泪。害怕死亡,也害怕告别。(配乐画龙点睛)
即使把家人托付给另外一个“自己”,内心也会一定觉得肯定是哪里出错了的难以释怀。
和《双重躯体》做交叉观影大概会很恶趣味www
情绪和氛围太到位了,以至于最后一幕,直接哭崩。。。何止是被人遗忘痛苦,告别也一样痛苦。
😅在戏剧性和肥皂剧之间还是回归了肥皂剧……
Copyright © 2015-2023 All Rights Reserved