Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
法克他爹的脑残翻译！
两人的体形有一种戏剧性的反差，体形小只的奥德丽救了高大的乔安娜，她打开了她封闭的内心。
宅男的毒鸡汤电影，穷就穷了，最可怕的穷人有骨气，已经穷到交不起房租了，孩子的教育也是稀烂，居然还天天在家打游戏，如果打游戏是一条出路，那也得面对现实啊！剧本就是长江7号+少林足球，但是故事本身也没讲好，资本为什么要主角输？黑鲨和主角之间的对立也是有点莫名其妙。最后的大战拍得非常乱，全靠解说讲解剧情了。
没看过剧，进入不了情节。不知道粉丝爆点在哪？看完最大感受就是——弗朗明哥舞完全没法用动画表现好吧！中间的律动、舞者身体的刚柔相济、瞬停瞬止，完全被表现得一截一截的；就好象流畅的画面又回到了像素级。最后情敌大战也没了，献爱之舞竟然只有两个镜头？搞咩啊！
如果这片子是张艺谋、冯小刚拍的，那铁定2-3星，如果是这导演拍的，4-5星可以给。就当作是吃鸡教程片了。
与你一起活着的这个世界，既悲伤又如此美丽。
有点可惜，高人献给准太的最浪漫的弗朗明哥舞竟然只有两个镜头，丰富度甚至不如爷爷给奶奶的舞蹈。
这位导演一直勤勤恳恳的搞姬片啊，还是比较可爱的那一种，女一总是状况百出，水里火里的，女二则人设讨喜而且巨他X好看，主要还特别爱惜女一，对其而言就是一个大大的慰藉，单单是看上一眼，方圆十里的空气都变得巨他X香甜。
这位导演一直勤勤恳恳的搞姬片啊，还是比较可爱的那一种，女一总是状况百出，水里火里的，女二则人设讨喜而且巨他X好看，主要还特别爱惜女一，对其而言就是一个大大的慰藉，单单是看上一眼，方圆十里的空气都变得巨他X香甜。
普通命题作文既视感
说实话，这个特别篇故事并不好看，外加的西班牙舞设定真的很尴尬。本来还觉得新人物欧吉桑蛮有魅力的，但是！加入邻家boy暗恋欧吉桑这个桥段不觉得很怪吗！？全片看完最让我意犹未尽的居然是制作人和大音乐家的暗线，我就问这个什么时候单独做个番外，我想看！
这ADHD症状太严重了叭，像狂躁症。焦虑躁郁的时候把头埋在女朋友肩膀好幸福！
因为这部动画开始欣赏高桥广树 也不讨厌这个作品 但确实不是很懂这个作品红的原因是什么？
从剧本和拍摄角度，比同期许多院线电影都强。节奏镜头人物和感情都好，台词都是自然的。
经费不够的感觉，跳舞的场面真的尴尬的我啊！好在亲热的场面还不错。嘻嘻嘻嘻……
就本片的质素，网大的头衔可以去了，完全可以上院线。
虽然电影的制作确实不错，很出人意料的令人惊喜，但影片中宣扬的童话般的价值实在无法引人共鸣（但给最后涨房价的结局点赞）。肖汉失败的人生不是他不努力，而是努力的方向错了，所谓电竞，不过是一个忽悠人并从广大游戏玩家口袋里骗钱的资本玩法而已，真想从电竞资本中薅羊毛，不是一般人能做到的，因为能成为电竞项目的游戏少之又少，而这种项目的最大特点就是：成王败寇，除了冠军，其他人都只是羊。而且这是一个吃青春饭的行业，从十多岁开始入行，十年之后，基本就是废人一个。就像女支女一样，乘正值青春时努力卖笑曲意奉承攒够下半生的钱，妄想清高到出淤泥而不染的，下场都很凄惨。所以这部电影本身就是童话，而童话大多数都是骗人的，但制作方高明的地方就在于结尾彩蛋中的涨房价，让原本幼稚的童话变成了“黑暗童话”，具有浓浓的讽刺意味！
我让摸不着头脑的绑手Play和不经同意的内🐍整吐了。
但高人为了蠢太努力绽放的样子太闪耀了！
让弗朗明戈成为一种叙事，但是远未呈现出弗朗明戈的美，这大概是BL动画的局限，失真的人物比例难以呈现那种肉身燃烧。
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