Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
唯一的惊喜就是知道隐形人长，木乃伊他们长啥样以及酒店终于踏了。
大概只有严肃岳父和调皮女婿的故事能拍成喜剧，严肃婆婆和调皮儿媳的故事只会成为社会纪录片甚至法制片。
虽然都是俗套但还挺好玩的哈哈哈哈，图个乐子。
抱住小女孩那里好感动。
It's mediocre. The gist is simple and overly used: a controlling father gets to learn to accept people for who they are but it's practically the only thing they build the franchise on since it's pretty much the growth that already been written around for the first movie. Four movies in and there's no depth to any other characters, that's just lazy.
第四部就算了吧，唉，实在不喜欢多动症冲动无脑设定小女婿
系列终章...
能做到第四部还保持在及格水平线上，也是可以了。
——毁灭之后的重建。
个人是觉得打斗太多了，会让反对的主旨成为了对孩子潜移默化的影响。当然我看了一会开始看小说了，也可能理解不到位，但这也恰恰反应了对大人的吸引力。相比《哪吒魔童降世》、《舞狮少年》差太多了。想打两分……不过影院里小朋友还是开心的，三星鼓励一下吧。
没有抱着预期，就还挺好看的，虽然系列拍到第4部，原先设定的创意和潜力几乎都已经被吃干抹净了，但是如果单就这一部还是可以挖出不少可圈可点的亮点之处。比如翁婿之间的心结，通过转变立场身份来完成共情，甚至还上演了一处《爸爸去哪儿》叠加《女婿上门了》的基础设定，既因为同时也因为这种错位制造了大把的笑料，西方奇幻文化的加持，让很多桥段设置都充满了揶揄和恶搞，连男主变身怪物的场景都借鉴了MJ著名MV《Thriller》里边化身狼人的镜头和构图，让人忍俊不禁。当然这些几乎是模式化的颠覆和恶搞本身都被搞成了一个索引狂热、还有那一众西方文化的经典怪物，弗兰肯斯坦、木乃伊、隐身人等等如果现出他们人类身份的原型，那种反差萌也叫人拍案叫绝，最后的合家欢结局皆大欢喜，但是过程中的这些爆点，才是真正的可观之处。
有几幕挺缝合怪的，但是也无所谓了，这不比春节其他电影燃？
久违的影院，再平凡的笑点都看得开心（酸）🙃️ 七月份了，进字8号，不知道该骂啥了……
其实结构很完整，就是内容一般，笑点太泛善可陈了，前座的大哥一直在刷手机。德古拉本打算隐退把旅馆交给女儿，提前知道消息的傻女婿去找德古拉结果适得其反，为满足德古拉编造的继承人标准，傻女婿主动变成妖怪，不想弄巧成拙，旅馆老顾客都纷纷中招变成人类，最后大家在寻找解除变身之钻的过程中，误会化解，德古拉也在体验肉身之苦后打破了对女婿的偏见。
看完之后我又看了一遍第一部。续集电影的通病就是为了续集而续集，缺乏那种真正的欢乐。
是不是连烂片大王亚当·桑德勒都觉得剧情太无聊了，所以这一部干脆不来配音了？
说是游戏式体验都抬举了，就一游乐园项目水准，幸好不是3D的。难怪索尼看势头不对直接卖掉当网大了，这部续集就是纯纯的糊弄，不加节制地拿配音演员一惊一乍的嘶吼声当卖点自以为好玩好笑。无聊的立意和干枯的创意加上捉急的预算，就像电影院卖的兑水可乐糖浆一样欺骗大脑。
怪物变人，人变怪物这个设定当年史莱克系列已经玩过了
片尾曲超好听，可惜目前没有资源，希望可以早日实现洗脑循环
不过也比真人骗钱电影好多了。
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