Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就这几年剧场版里算最好的了！松田你就是最帅的！！
《警视厅恋爱物语剧场版》
太能恶搞了，法国人确实有点东西，擅长屎尿屁这种东西，值得一看，欢乐无比的一个多小时
法国的幽默感，玩了好多英雄梗，在星爵八十年代金曲的背景音乐下跳小丑的阶梯舞，紧身衣内穿的超人梗，倒吊接吻的蜘蛛侠梗，还有复仇者联盟梗，虽然有低俗的地方，但是好笑就是好笑，很轻松又不落俗套的一部喜剧片。
安室透是挺帅的，人气的原因很理解了！看得还是挺爽的，不过最后结局也是太扯了
也就安室透跳楼劫持直升机这一幕，致敬了007黄金眼刚开头超现实的一跃，有把人帅到。
恶搞了各大著名的美漫电影，梗的数量足够而且质量过关，是一部能令人放松心情的电影。三星。
哈哈哈实在是太好笑了，今年最酣畅淋漓的喜剧观影体验，我在家里真的笑出了鹅叫😂😂😂疯狂玩梗，讽刺效果点满，某些迪士尼游乐园电影真的要无地自容了，法国的这个喜剧组合真的太天才了，真的不怕华纳迪士尼两家一起陪你打官司吗😂😂😂剧情是简单了点，情节推进是生硬了点，但这不妨碍它很快乐呀，私心给个五星。
暴力是不暴力，但黄是真的黄。
哈哈哈哈哈 最近难得让我开怀大笑的剧 蠢蠢的
爷爷醒醒，你追的科幻动作系列又出新剧场版啦！在经历一系列莫名其妙的剧场版之后，这一部出其不意地还不错？
比之前几部好看多了！紧张刺激悬念也很足，虽然槽点也很多哈哈哈。最后的真人ED太写实了以至于已经开始害怕今年万圣节在涩谷看到一大群南瓜头了(。
刺激，激动！ 剧情也很好 ！一开始还被吓到了 还以为是高木和佐藤的婚礼，原来婚礼是假的！ 看的4dx，也有煽情的地方，但说真的比去年的观感更好。
时隔多年，早已变成烂片代名词的柯南剧场版，居然一夜回春了！我的青春又回来了！
今年的还可以看耶，没有前几年那么离谱😂明年gin终于又要登场了吗｜记录一下：依然动作片，警校组回忆，涩谷高低差，红蓝碰砰，俄罗斯反派，警视厅三大cp都发了糖，高佐又亲亲，小柯幻想和兰结婚，本部开挂的除了主角柯南，主要还是日本人民最爱的安室透……（这次赶上降价➕周三优惠➕学生优惠，只花了1000日元！）
柯南都会说俄语了
我去…竟然真的还挺好看的😂难得能让我忍住想去厕所的冲动认真从头看到尾。一如既往的无推理plus半小时猜到犯人 但是同期组也太他妈帅了吧😭到底是打了多少钱给制作组！！
導演還真喜歡阿湯哥啊，城市獵人里也致敬了top gun.
近些年来唯一一部及格并且好看的柯南剧场版，太不容易了
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