Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story - which was now, 3 years in the making. This writer's block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book? As Abhi says ''You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn't get out of your head - even if you wanted to." So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane - and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself. Of course, life in ...
印象深刻的一步日式喜剧，似乎之前没看过日本喜剧电影
最后的胜利过程及场面略显单薄，其它都挺好的~
画面挺好的。故事有点不给力。以温馨来映衬家庭悲剧？而且家庭悲剧不是很深刻。
“人啊 还是要对自己好一点”
还不错，想到了自己的老年生活，会是怎样度过呢？
高潮没有撑起来。但我羡慕这有山有海有猫的big house 。
老奶奶向無家可回的兩個女孩伸出了手，光是這個設定就好令人動容。無血緣的家。只要真誠以對，心有所願，迷途之家就會為你實現。不思議人的神怪傳奇。悲傷與恐懼會幻化成怪，但家的羈絆能破除迷幻。輕巧簡易的敘事鋪排。失語的小女孩開口呼喚的那刻，以她的視角將故事收攏。
東日本大震災背景，融合迷い家。一些無可奈何，去做當下能做的事。整體很籠統…..很立本…….很平淡。推しの役は蕎麦屋の青年。
开始看着挺心酸的，中年危机经济窘迫，感觉都是在强笑欢颜，感觉把生活过成了笑话。后来看到最后才觉得，无论日子多苦，还是要有一颗欢乐的心。
电影如果在婆婆生前葬的歌声中结束，会更好。
看电影里面的场景自己是很喜欢的，好有夏天的感觉呀；但是故事情节是自己没有想到的，又有了夏目友人帐那般与妖怪相处的友好；结局是美好的，那座在海边山上的房子真是让人羡慕啊。
最开始以为是一个日常治愈电影，结果是一个奇幻治愈电影，总归都是治愈系。（植树节快乐）
剧情跟大鱼海棠相比 好像也就没那么差了
好像公租房的广告啊，尤其是最后烤肉的画面，像海天酱油投资的公租房广告。
有些真实又有些美化，用大量搞笑艺人还算轻松的展现了一个沉重的话题
还买什么大平层，合租就好年年住新房喽，倒是“牡丹饼再好也吃不下三个”才是真的…
前半制造完窒息焦虑，后面的“解决”未免太轻快了些，无法缓解到我🥹而且“婆婆感谢儿媳妇”和“失业后碰巧发达老友雇你”这种不现实的事情接二连三的……但是人确实任性点好，努力任性，加油😄
我以为是灾后重建治愈番，谁料后面变成一刀9999级的热血番。
搞笑温情，看得出来天海真的很用力的在演。但是松重丰站在那里就好笑了。
后期很仓促，画风实在不适合最后大战，讲讲妖怪和日常故事的话会好看点.
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