Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
演员演技不错，虽然某些情节略显突兀与刻意，但整体表现手法到位，在一定程度上依旧能触动人心，温暖治愈。
总结一下一些细节：1.虎翼三指爆头庆祝致敬安东尼 2.慢羊羊输球面对采访说我负责 致敬姚明 3.沸羊羊开场秀两个胯下然后转球致敬坤坤4.喜洋洋公式：在你加入我们之前我们没输过球 致敬追梦5.喜洋洋背转身翻身跳投致敬乔丹6烈羊羊落后20分算个屁致敬杜峰7.结局彩蛋致敬ai crossover单挑乔丹8.最后回表读秒绝杀致敬绝杀慕尼黑9.教练我想打篮球 灌篮高手 不多说了10.虎翼脏辫 3号穿搭 大变相 致敬ai11.喜羊羊 最后一球必须我投 致敬科比
看出了熟悉的艾弗森和麦迪的feel，致敬青春了这就是。
陪小朋友看，比较低龄，剧情也比较老套，处理的比较热血和正能量！！篮球不是一个人的运动，人不能没有梦想之类的！小宝总结了一个特点，一段回忆就代表着场上的一次爆发！！
剧情就算简单又会怎么样呢，照样可以点燃每个篮球少年内心的一抹星火。也许刚开始打球，我们都想成为喜羊羊那样的MVP，可最后我们都成了和灰太狼一样的替补，但我们一样为球队在作贡献。看到最后，我才意识到我和喜羊羊和灰太狼，已经认识了5千多集了。
谁能想到，喜羊羊成了春节档最燃。它最值得肯定和鼓励的是，从番剧改成大电影，是有剧作意识的。尤其是第三幕，情节点依循赛场规则和进程设计。在对垒中也照顾到了群像刻画。场面做得不错了，技术上有待提升。
总之，现在的喜羊羊比前几年强了不少，但也再难及《羊羊运动会》《古古怪界》巅峰，狼吃不吃羊很重要，但也不是绝对的核心。而我也终于长大了，不必重温旧梦。
卧槽？！我是不是把灌篮高手的最终一战提前get了？！我甚至觉得我的半月板都好了～～
陪小朋友看的，小朋友自己都不咋激动。。。不过对于刚在前晚看了中国女足3-2逆转韩国取得亚洲杯冠军的大人我来说，代入感还是挺强的，小孩子可能领悟不到这种激动之情。
绝杀的那一刻，所有的聚光灯和胜利的喜悦才会冲向他。
我们认识多久了 五千多集了😂😂😂绝佳笑点！
多一分给我的童年
啊啊啊啊啊啊啊啊啊！！！配乐还有分镜都尼玛太帅太有创意了！！！真的好认真在做大电影！！没有一点要混的意思！！！好好看！！！友情、亲情、梦想！！太饱满了！！！爱！！！
带儿子看的，自己仿佛回到了小时候看灌篮高手的时光，依然是那么燃。
意料之外 情理之中
从2005开播的《喜羊羊》，已经时隔17年，已经长到一个婴儿长成人。灰太狼:“喜羊羊，我们认识多久了啊”“5000多集吧”。此次剧场版是和大家熟知的tv版完全不同的故事，本质是一部运动竞赛片，全员变身肌肉男，和《雄狮少年》一样，最后一场比赛有点小高潮，但前面的完成度不如《雄狮》，叙事节奏有点散，但还是有意塞了很多笑点，组cp,“男妈妈”，美羊羊和暖羊羊作为影片中的女性角色，也展现了女子力爆棚的时刻。虽然这么多年，它的作画技术依然没有进步，但是偶尔还是会被灰太狼帅到。（类似毛利小五郎那种帅）。＃2022院线电影05，评分:6.0/10。
b站上看的（疫情实在不能去电影院看，ps：阴间排场…………）
我之前觉得，它要来割韭菜了，毕竟那么久了，一直想，我可不是喜羊羊与灰太狼的韭菜，可是等我看完了，我才发现，韭菜，就是韭菜。它过去了那么久，我也过去了那么久，以前莫名其妙的喜爱，后来莫名其妙的厌倦，觉得它幼稚而可笑，现在我打开电脑，对着这个自己已经遗忘了的，我才想到，过了那么久了，我还是爱，那莫名其妙的爱，它也最终变了模样，一如我们一样。我终究随着时间漫漫成长，到最后，发现——它追上我了，告诉我说:嘿，五千多集了，你以为你忘得了我？😭😭😭😭😭
5.0/10。全方位的落后于时代，对篮球的理解也仅仅停留在玩梗和经典场面复刻。技战术和人物模板的设计甚至还不如《黑子的篮球》。
以及全能虎翼，速度王喜羊羊，三分王懒羊羊能不能给我进国家队！让教练好好教教中国男篮怎么打球！
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